As these essays ably show, Union is a dynamic role model for young Black women in all walks of life.

YOU GOT ANYTHING STRONGER?

STORIES

The star actor and producer demonstrates her dedication to empowering young Black women and other marginalized people.

Union and her husband, former NBA superstar Dwyane Wade, are a Black American celebrity couple the media loves to follow. In the first and longest essay, “Loved Even as a Thought,” the author chronicles the couple’s pregnancy via surrogacy. Although Union first considered their decision to use a gestational carrier a “walk away from home plate,” the strategy paid off with the birth of Kaavia James. The Hollywood veteran is candid in her admission that, ultimately, she was a “character actress” in her daughter’s “one-woman show.” In the rest of the book, Union offers her takes on Hollywood parties, auditions, family dramas, and “how-to” advice for making it in “the industry” for aspiring young people of color. Regarding feedback, she writes, “Examine it and decide what you’re gonna take and what you’re gonna discard.” The author also writes charmingly and instructively about the many “bonding stepmother-stepdaughter moments” she has shared with her gender-nonconforming stepdaughter, and she shares an entertaining anecdote about inadvertently getting on Janet Jackson’s bad side—but don’t worry, Janet is now “the friend who reminds me to set my clocks back.” Union exposes gender problems in work life (“Balance is a lie” since the system “is rigged against women”) and rails against blackface and blackfishing, which entails non-Black people “stealing the looks and features of Blackness for profit.” While recounting the devastating rape she suffered when she was 19, the author describes how she found recovery and emotional support through watching Black Olympians triumph in the 1992 Summer Olympic. “I needed a lifeline,” she writes, “and what I saw was unapologetic Black stardom and perseverance.” Throughout, Black excellence is cast as the antidote to racism and other societal poisons.

As these essays ably show, Union is a dynamic role model for young Black women in all walks of life.

Pub Date: Sept. 14, 2021

ISBN: 978-0-06-297993-3

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Aug. 23, 2021

Kirkus Reviews Issue: Sept. 15, 2021

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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