HOW TO BE A HERO

What does it take to become a hero?

From a tilted airborne angle, the opening double-page spread shows brick houses and tiled roofs in faded reds and warm grays. Where’s Gideon, the “nice boy” in this “once upon a time”? He sits in his yard, tiny and barely noticeable, wearing a red cape that barely registers. Gideon’s life is unsatisfying, and although he soon appears larger—especially when dismembering and stabbing teddy bears—he’s unsure how to become a hero. Must he be strong, brave, and clever? Must he kiss someone? Imagining scenes from familiar fairy tales like “Cinderella,” Gideon concludes that he need only “be in the right place at the right time” and “pay attention.” So he does—except he totally doesn’t. Heroism possibilities appear left and right; Gideon’s oblivious. Then a briefly wordless supermarket scene unfolds with heroism-related twists and hilarity. Someone’s definitely a hero, but is it Gideon? Heide’s third-person-very-limited narration follows Gideon’s unmindful perspective while the illustrations show far more. Groenink uses pencil and Photoshop to create warm, low-saturation scenes with an old-fashioned lilt, using color judiciously in fantasy scenes, such as varying purples during a dragon-killing, or on Gideon’s nose, which is sometimes peach-skinned like the rest of his face but sometimes dark red, plum, or purple. Classical references (Propp & Bettelheim Quality Butchers) add a layered spark.

Heroism with a wink. (Picture book. 3-6)

Pub Date: Oct. 4, 2016

ISBN: 978-1-4521-2710-1

Page Count: 40

Publisher: Chronicle Books

Review Posted Online: July 20, 2016

Kirkus Reviews Issue: Aug. 1, 2016

Did you like this book?

No Comments Yet

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for...

OLIVER AND HIS EGG

Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.

“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.

Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)

Pub Date: July 1, 2014

ISBN: 978-1-4231-7573-5

Page Count: 40

Publisher: Disney-Hyperion

Review Posted Online: May 19, 2014

Kirkus Reviews Issue: June 1, 2014

Did you like this book?

No Comments Yet

Skip this well-meaning but poorly executed celebration.

I LOVE DADDY EVERY DAY

Children point out the things they love about their fathers.

“Daddy is always kind. He gives us support and shelter when things go wrong.” A child with a skinned knee (and downed ice cream cone) gets a bandage and loving pat from Daddy (no shelter is visible, but the child’s concerned sibling sweetly extends their own cone). Daddy’s a storyteller, a magician, supportive, loyal, silly, patient, and he knows everything. A die-cut hole pierces most pages, positioned so that the increasingly smaller holes to come can be seen through it; what it represents in each scene varies, and it does so with also-variable success. The bland, nonrhyming, inconsistent text does little to attract or keep attention, though the die cuts might (until they fall victim to curious fingers). The text also confusingly mixes first-person singular and plural, sometimes on the same page: “Daddy is like a gardener. He lovingly cares for us and watches us grow. I’m his pride and joy!” Even as the text mixes number the illustrations mix metaphors. This particular gardener daddy is pictured shampooing a child during bathtime. Más’ cartoon illustrations are sweet if murkily interpretive, affection clearly conveyed. Troublingly, though, each father and his child(ren) seem to share the same racial presentation and hair color (sometimes even hairstyle!), shutting out many different family constellations. Más does, however, portray several disabilities: children and adults wearing glasses, a child with a cochlear implant, and another using a wheelchair.

Skip this well-meaning but poorly executed celebration. (Picture book. 3-5)

Pub Date: March 24, 2020

ISBN: 978-0-593-12305-8

Page Count: 32

Publisher: Rodale Kids

Review Posted Online: March 18, 2020

Kirkus Reviews Issue: April 1, 2020

Did you like this book?

No Comments Yet
more