LITTLE YELLOW TRUCK

A little yellow truck wrestles with feelings of inadequacy.

When lumberyard owner Riley informs his crew of trucks that he’s purchased some land to turn into a playground, Little Yellow is thrilled. Yet all the other trucks get the big jobs, like hauling the trash, pouring the concrete, and delivering the equipment, and it seems there’s nothing left for a small pickup to do. Fortunately Riley’s got a job for him, and it’s just right for a little guy. While the book attempts to connect with child readers by appealing to their sympathy with a character’s disappointment, little artistry accompanies the writing. Bunting takes a glancing pass at spiffing up the text with copious sound effects of trucks at work (“Bang, clang, smack, whack”) and descriptions of the “lumpy, bumpy, clumpy land,” but the tale itself does little to engage readers beyond the presence of the trucks themselves. Additionally, the simplified computer art and cartoony anthropomorphized vehicles do the book no favors. Human characters are depicted in a wide range of ethnicities and abilities (Riley is white), but while it is good to include a kid who uses a wheelchair, it is impossible not to notice that none of the playground equipment is made to be accessible to that child.

A honk and a miss. (Picture book. 3-6)

Pub Date: March 15, 2019

ISBN: 978-1-58536-407-7

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: Dec. 22, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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A sweet reminder that it’s easy to weather a storm with the company and kindness of friends.

GOOD NIGHT, LITTLE BLUE TRUCK

Is it a stormy-night scare or a bedtime book? Both!

Little Blue Truck and his good friend Toad are heading home when a storm lets loose. Before long, their familiar, now very nervous barnyard friends (Goat, Hen, Goose, Cow, Duck, and Pig) squeeze into the garage. Blue explains that “clouds bump and tumble in the sky, / but here inside we’re warm and dry, / and all the thirsty plants below / will get a drink to help them grow!” The friends begin to relax. “Duck said, loud as he could quack it, / ‘THUNDER’S JUST A NOISY RACKET!’ ” In the quiet after the storm, the barnyard friends are sleepy, but the garage is not their home. “ ‘Beep!’ said Blue. ‘Just hop inside. / All aboard for the bedtime ride!’ ” Young readers will settle down for their own bedtimes as Blue and Toad drop each friend at home and bid them a good night before returning to the garage and their own beds. “Blue gave one small sleepy ‘Beep.’ / Then Little Blue Truck fell fast asleep.” Joseph’s rich nighttime-blue illustrations (done “in the style of [series co-creator] Jill McElmurry”) highlight the power of the storm and capture the still serenity that follows. Little Blue Truck has been chugging along since 2008, but there seems to be plenty of gas left in the tank.

A sweet reminder that it’s easy to weather a storm with the company and kindness of friends. (Picture book. 3-6)

Pub Date: Oct. 22, 2019

ISBN: 978-1-328-85213-7

Page Count: 32

Publisher: HMH Books

Review Posted Online: June 23, 2019

Kirkus Reviews Issue: July 15, 2019

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Aspirational—but not quite ascending to the inspirational.

MY VOICE IS A TRUMPET

Explores different ways one’s voice can be used.

The unidentified narrator begins by chronicling different types of voices: “loud and proud,” “soft and sweet,” “patient and wise,” and more. The Deaf community is included in both text and art, and sign language is alluded to: “There’s a voice that is silent / but STILL CAN BE HEARD / with hands that move / to speak EVERY word.” The vibrant, colorful art presents an array of children of different races and skin tones. Unfortunately, this well-meaning book does not cohere. The art in some spreads does not appear to augment or even connect to the text. For example, the lines “I’LL SAY NO TO HATE / by using this voice / and ALWAYS CHOOSE LOVE— / a magical choice” are illustrated with a spread of four children: one playing the trumpet, another singing, one with a drum major’s hat and baton, and the final child skateboarding. Readers may be confused by how these images apply to the text since they have no direct relation to saying no to hate or choosing love. Spreads with children holding protest signs feel disconnected to the present moment with no Black Lives Matter or BLM–related signs depicted. Some text excludes nonbinary children, asserting “we’re SISTERS / and BROTHERS.”

Aspirational—but not quite ascending to the inspirational. (Picture book. 3-5)

Pub Date: July 13, 2021

ISBN: 978-0-593-35218-2

Page Count: 32

Publisher: Flamingo Books

Review Posted Online: May 19, 2021

Kirkus Reviews Issue: June 1, 2021

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