Involving from "the end of my lovely world" to the end of exile (when the Rudomins, as Jews, were jeered in Poland), this is...

THE ENDLESS STEPPE

GROWING UP IN SIBERIA

To Esther Rudomin at eleven Siberia meant the metaphor: isolation, criminals and cruel punishment, snow and wolves; but even in Siberia there is satisfaction from making a friend of a prickly classmate, from seeing a Deanna Durbin movie four times, from earning and studying and eventually belonging.

Especially in Siberia, where not wolves but hunger and dirt and cold are endemic, where shabbiness and overcrowding are taken for granted, where unselfishness is exceptional. At the heart of Mrs. Hautzig's memoir of four years as a Polish deportee in Russia during World War II is not only hardihood and adaptability but uniquely a girl like any other. Abruptly seized in their comfortable home in Vilna, Esther and her family, are shipped in cattle cars to Rubtsovsk in the Altai Territory, work as slave laborers in a gypsum mine until amnesty, then are "permitted" lobs and lodging in the village--if someone will take them in. After sleeping on the floor, a wooden platform is very welcome; after sharing a room with two other families, a separate dung hut seems a homestead. Then Esther goes to school, the greatest boon, and, to her mother's horror, wants to be like the Siberians....Deprivation does not make Esther grim: the saddest day of her life is her father's departure for a labor brigade at the front, her sharpest bitterness is for the bland viciousness of individuals.

Involving from "the end of my lovely world" to the end of exile (when the Rudomins, as Jews, were jeered in Poland), this is a beautiful book with no bar to wide acceptance (and a rich non-juvenile jacket by Nonny Hogrogian). (Memoir. 8-12)

Pub Date: April 15, 1968

ISBN: 978-0-06-447027-8

Page Count: 256

Publisher: T.Y. Crowell

Review Posted Online: Sept. 30, 2020

Kirkus Reviews Issue: April 1, 1968

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Inspirational but occasionally unclear.

JUST LIKE ME

Gooding's debut profiles 40 famous people with disabilities.

The author, a mother of children with disabilities, opens the book with a note about her desire to find role models for her children. To that end, she alphabetically introduces racially diverse disabled people from around the world and throughout history. Diagnoses range from autism to limb difference. Historical figures include Japanese peace advocate Sadako Sasaki, who developed leukemia after the bombing of Hiroshima, and American abolitionist Harriet Tubman, who led fellow slaves to freedom despite epilepsy. Contemporary figures include athletes, authors, and entertainers: Polio survivor and Paralympian Malathi Krishnamurthy-Holla remains "one of the fastest female Indian athletes in a wheelchair"; Japanese nonverbal author Naoki Higashida penned popular books describing autism; English actor Daniel Radcliffe deals with dyspraxia, a coordination disorder; and Australian Madeline Stuart is the first professional model with Down syndrome. Each profile begins with an uplifting quote and concludes with a sidebar explaining the subject’s disability. Unfortunately, some sidebars emphasize colloquial over scientific terms. For instance, Stephen Hawking’s disability is named eponymously (Lou Gehrig's disease), “also known as ALS,” instead of with its scientific name, amyotrophic lateral sclerosis. Occasionally, vague phrasing creates confusion, such as when the author writes that a speech-generating device enabled Hawking to communicate by using a “touchpad.” (A hand clicker became his primary input method.) Various illustrators’ realistic renditions of smiling subjects complement the upbeat (albeit somewhat dry) text.

Inspirational but occasionally unclear. (glossary, quote sources) (Collective biography. 8-10)

Pub Date: Nov. 1, 2021

ISBN: 978-1-78741-848-6

Page Count: 96

Publisher: Bonnier/Trafalgar

Review Posted Online: Oct. 13, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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Good for aspiring writers and artists.

OUR STORY BEGINS

YOUR FAVORITE AUTHORS AND ILLUSTRATORS SHARE FUN, INSPIRING, AND OCCASIONALLY RIDICULOUS THINGS THEY WROTE AND DREW AS KIDS

Twenty-six notable authors and illustrators of children’s books—including the book’s editor—introduce themselves via their childhood memories.

The short, straightforward introduction begins with the editor sharing her inspiration for the book: reading through her oldest writings, stored in “a box in a basement,” and reflecting that other creators have similar boxes. Two years of interviewing, collecting, and collating produced the accessible, enjoyable text that follows. Each creator shares a childhood photograph, a brief memoir, a short biography, and a photographed sample of a creative work from childhood. The order of presentation is determined by the age at which the creative work was accomplished, ranging from 7 to 16. The art and writing samples from childhood are occasionally exciting but more often typical of the age represented—and thus encouraging rather than intimidating to young creatives. The memoirs—all (unsurprisingly) engaging—range from humorous to serious, and some slip in good advice, both about the tools of the craft and about self-marketing. There is a wide diversity of ages and backgrounds, from Phyllis Reynolds Naylor to Alex Gino, from Eric Rohmann to Rita Williams-Garcia. Thanhhà Lai is especially memorable; as a Vietnamese refugee, she had no box of writings: “But it turns out, I don’t need tangible objects. I have my memories.” Her recollection of an oral prose poem from age 8 is one that stands out because it is indeed remarkable for one so young.

Good for aspiring writers and artists. (Collective memoir. 8-12)

Pub Date: July 4, 2017

ISBN: 978-1-4814-7208-1

Page Count: 208

Publisher: Atheneum

Review Posted Online: April 17, 2017

Kirkus Reviews Issue: May 1, 2017

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