A slim book in which every word is important, one that deserves to be read multiple times.

THE WAR OF THE POOR

A slender, vivid history of a 16th-century populist revolt that holds relevance for current times.

In his latest, Vuillard, the winner of the 2017 Prix Goncourt for The Order of the Day, follows Thomas Münzter (c. 1489-1525), a zealous German preacher “who rejected the debates among learned theologians; esotericism made him sick. He appealed to public opinion.” Throughout this brief but powerful, moving book, the author clearly and poetically demonstrates Münzter’s passion for reform. “He is enraged,” writes Vuillard. “He wants the rulers’ skins, he wants to sweep away the church, he wants to gut all those bastards….He wants to put an end to all that pomp and miserable circumstance. Vice and wealth devastate him; their conjunction devastates him.” As the narrative progresses, the initial feeling of disjointedness morphs into a delightful thread of connection as the author pinballs around the 16th-century landscape. He chronicles the plight of the repressed serfs in Leipzig, Prague, Rome, and Avignon. Like most fanatics, Münzter could occasionally come across as a raving lunatic, leading the poor to raise the wrath of God against the godless rulers who suppressed them. The availability of the Bible in the vernacular encouraged Münzter to receive God’s direct message through visions and dreams. People flocked to hear him conduct services in German. He rejected Thomas Aquinas and Saint Augustine in favor of Erasmus and Raymond Lully, though he eventually dismissed all theologians. In addition to his Prague Manifesto, Münzter also wrote Protestation, which argued that “the crucial experience of humanity was suffering,” the only way that one “could receive the word of God.” Summoned to justify his work to the Elector of Saxony and the crown prince, he foretold the rise of the silent flocks who would destroy them.

A slim book in which every word is important, one that deserves to be read multiple times.

Pub Date: Oct. 20, 2020

ISBN: 978-1-63542-008-1

Page Count: 96

Publisher: Other Press

Review Posted Online: Aug. 4, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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A virtuoso performance and an ode to an undervalued medium created by two talented artists.

A WEALTH OF PIGEONS

A CARTOON COLLECTION

The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 31, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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