An eclectic collection for adventurous readers.


An opening note from Colfer identifies this anthology as his project as (former) Laureate na nÓg to bring Irish children’s literature to Ireland and abroad.

As such, children this side of the pond will find some unfamiliar authors among others better known in the U.S. Whether story or poem, 17 works in all, place is center stage. Judging by some of the themes that carry through the collection—preternatural occurrences, memory, ghosts, family, loss, and, most of all, transformation—readers may well assume that that place, Ireland, has also shaped the sensibilities of the talents. Some pieces are easily digested, such as Marie-Louise Fitzpatrick’s “Gren’s Ghost,” wherein two boys, unlikely partners, stage a prank in an ancient priory and one emerges with a new identity, or Colfer’s contribution, “The Ram King,” in which the daughter of a king fearlessly takes control of her own fate. Other image-rich pieces will be picked apart over a lifetime, such as a stranger’s heartfelt relief in “Bus Stop,” by Pat Boran, or a soul’s voyage in “Stream Time,” by Oisín McGann. Unsurprisingly, most of the characters are white, but Paula Leyden acknowledges Ireland’s growing multiculturalism with a story about a Japanese ghost. Under Colfer’s editorial hand, pieces flow flawlessly from one to the next. Illustrator (and the new Laureate na nÓg) Lynch’s charcoal illustrations not only capture settings, but gorgeously evoke emotion, whether tender, playful, searching, or searing.

An eclectic collection for adventurous readers.   (foreword, contributor bios) (Anthology. 11-14)

Pub Date: June 1, 2017

ISBN: 978-1-910411-37-7

Page Count: 224

Publisher: Little Island/Trafalgar

Review Posted Online: April 17, 2017

Kirkus Reviews Issue: May 1, 2017

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A change of pace from the teeming swarms of fantasy and paranormal romance but too underpowered to achieve escape velocity.



A low-wattage collection of original stories and poems, as unmemorable as it is unappealingly titled.

The collection was inspired by a perceived paucity of short science fiction for teen readers, and its production costs were covered by a Kickstarter campaign. The editors gather a dozen poems and 21 stories from a stable of contributors who, after headliners Jack McDevitt and Nancy Holder, will be largely unknown even to widely read fans of the genre. The tales place their characters aboard spacecraft or space stations, on other worlds or in future dystopias, but only rarely do the writers capture a credibly adolescent voice or sensibility. Standouts in this department are the Heinlein-esque “The Stars Beneath Our Feet,” by Stephen D. Covey & Sandra McDonald, about a first date/joyride in space gone wrong, and Camille Alexa’s portrait of a teen traumatized by a cyberspace assault (“Over It”). Along with a few attempts to craft futuristic slang, only Lavie Tidhar’s fragmentary tale of Tel Aviv invaded by successive waves of aliens, doppelgangers, zombies and carnivorous plants (“The Myriad Dangers”) effectively lightens the overall earnest tone. Aside from fictional aliens and modified humans, occasional references to dark skin (“Out of the Silent Sea,” Dale Lucas) are the only signs of ethnic diversity. Most of the free-verse poetry makes only oblique, at best, references to science-fictional themes.

A change of pace from the teeming swarms of fantasy and paranormal romance but too underpowered to achieve escape velocity. (author bios) (Science fiction/short stories. 12-14)

Pub Date: Feb. 12, 2013

ISBN: 978-0-9847824-0-8

Page Count: 290

Publisher: Underwords

Review Posted Online: Dec. 13, 2012

Kirkus Reviews Issue: Jan. 1, 2013

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What do flowers remember? The stories of the people who cared for them, of course, as Wiersbitzky’s sensitive novel...


Thanks to her love of flowers, Delia has become a sort of apprentice to talented gardener Old Red and is devastated when he begins to show signs of encroaching dementia.

With all of the confidence of youth, she holds in her heart the belief that perhaps with her help—and that of all his loving neighbors—she can preserve his memories by collecting favorite stories about the beloved man. As she moves through the months, she records (in a rather mature first-person) both the tasks she completes in the garden as well as the stories she collects about him, also describing Red’s tragically inexorable decline. Delia’s surrounded by loving adults, and she shares her grief with best friend Mae and new love interest Tommy, as well as receiving support from members of her church; with these relationships, this warm effort neatly captures the strength of a close-knit community and the tight bonds that can form between the very old and the young. The 13-year-old’s often lyrical prose is attractive, even though it sometimes strays toward a more adult-sounding voice. Her frustration, fear and sense of loss will be readily recognizable to others who have experienced dementia in a loved one, and her story may provide some guidance on how to move down that rocky path toward acceptance and letting go.

What do flowers remember? The stories of the people who cared for them, of course, as Wiersbitzky’s sensitive novel compassionately conveys. (Fiction. 11-14)

Pub Date: May 3, 2014

ISBN: 978-1-60898-166-3

Page Count: 158

Publisher: Namelos

Review Posted Online: March 31, 2014

Kirkus Reviews Issue: April 15, 2014

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