THE SECRET CAVE

DISCOVERING LASCAUX

Part Hardy Boys, part archeology, this mesmerizing look at the discovery of the prehistoric cave paintings of Lascaux invites today’s readers to experience the wonder of the event. McCully has written and drawn a stunning fictionalized account based on historical records and interviews. The endpapers entice with the rendering of the maps of the caves, and soft, wide watercolor strokes capture the essence of the prehistoric art. When the action is aboveground, the realistic illustrations are her characteristic ink-and-watercolor style, but below the ground the edges soften and the images become shadowy and mysterious. The Caldecott winner gets the emotions of the secret descent for buried treasure just right, drawing readers' eyes down the tight shaft to the light of the first boy’s lantern in the large art-filled chamber. In one glorious wordless spread, the boys (and readers) are filled with awe at the revelation of the pristine art. What to do with this knowledge? The boys know just whom to trust. Budding historians will be amazed by this story of curiosity and serendipity. (author’s note, bibliography) (Picture book. 5-7)

Pub Date: Sept. 14, 2010

ISBN: 970-0-374-36694-0

Page Count: 40

Publisher: Farrar, Straus and Giroux

Review Posted Online: Aug. 2, 2010

Kirkus Reviews Issue: Aug. 15, 2010

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In what seems like a veritable golden age of beginning readers, perhaps some things are better not published. Or read.

WEDGIEMAN

A HERO IS BORN

From the Adventures of Wedgieman series , Vol. 1

Captain Underpants he ain’t.

Although some may initially associate Harper and Shea’s beginning reader with Pilkey’s popular series, it falls short with a thin story and none of the master's clever sense of subversive, ribald humor. The titular hero starts as Veggiebaby, then becomes Veggieboy, then Veggieman, his growth and development attributed to his love of vegetables. He practices his superpowers as he grows, with text and art taking cheap shots at elderly women (as he lifts “a bus filled with chattering grandmas”) and overweight people (as his X-ray vision enables him to see into a house where a rotund man stands, embarrassed and clad only in his underwear: “Some things are better not seen.”) The book ends with Veggieman getting a new name from children who see a stick stuck to his shirt, making the V into a W, and dub him Wedgieman. “We don’t care about spelling,” they assure him when he objects that the word “wedgie” has a “d” and not a double “g.” His new name is sealed when (in an odd turn of events that is, sadly, characteristic of the poorly executed text) he gives himself a wedgie.

In what seems like a veritable golden age of beginning readers, perhaps some things are better not published. Or read. (Early reader. 5-7)

Pub Date: Aug. 7, 2012

ISBN: 978-0-307-93071-2

Page Count: 48

Publisher: Random House

Review Posted Online: May 9, 2012

Kirkus Reviews Issue: June 1, 2012

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A serene, feel-good outing with a cozy, old-fashioned feel.

CHIRRI & CHIRRA

From the Chirri & Chirra series

In this Japanese import, the first in a long-running series to appear in English, two girls ride bikes through a forest—with stops for clover-blossom tea and jam sandwiches.

It’s such a benign wood that Chirri and Chirra—depicted as a prim pair of identical twins with straight bob cuts—think nothing of sharing both a lunch spot and a nap beneath a tree with a bear and a rabbit. Moreover, at convenient spots along the way there is a forest cafe with a fox waiter plus “tables and chairs of all different size” to accommodate the diverse forest clientele, a bakery offering “bread in all different shapes and jam in all different colors,” and, just as the sun goes down, a forest hotel with similarly diverse keys and doors. That night a forest concert draws the girls and the hotel’s animal guests to their balconies to join in: “La-la-la, La-la-la. What a wonderful night in the forest!” Despite heavy doses of cute, the episode is saved from utter sappiness by the inclusive spirit of the forest stops and the delightfully unforced way that the girls offer greetings to a pair of honeybees at a tiny adjacent table in the cafe, show no anxiety at the spider dangling above their napping place, and generally accept their harmonious sylvan world as a safe and friendly place. Doi creates her illustrations with colored pencil, pastel, and crayon, crafting them to look like mid-20th-century lithographs.

A serene, feel-good outing with a cozy, old-fashioned feel. (Picture book. 5-7)

Pub Date: Sept. 7, 2016

ISBN: 978-1-59270-199-5

Page Count: 40

Publisher: Enchanted Lion Books

Review Posted Online: July 26, 2016

Kirkus Reviews Issue: Aug. 15, 2016

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