When you realize your life is a lie fabricated by your dad, the daunting task of facing college applications suddenly loses its severity.
Ally Smith lives a financially humble but socially rich life with her single dad in a small Wisconsin town. She’s an unofficial member of the Gleason clan (the first family of Valley Falls) and an official top-notch student vying for college scholarships. But those application essay questions are the worst—particularly the one about a significant life event. Ugh. As a dorky, predictable creature of habit routinely indulging in Taco Tuesdays and Football Sundays with her dad, there’s nothing blockbuster about her life’s lovely little cadence. A red alert shatters Ally’s same-old existence when her social security number on a college application is revealed to be falsified. Confusion evolves to anger as she learns that her father has kept a life-shattering secret from her—and the changes that follow force Ally to leave behind everything she knows. This novel takes the self-identity trope and intensifies its scope, layering in the mature navigation of family relationships. An honest pace, salt-of-the-earth protagonist, and sympathetic, well-rounded characters keep the conflict from being hyperbolic even though Ally’s story becomes national news. Ally, friends, and family are presumably white.
Family melodrama in theory, genuine identity crisis in execution. (Fiction. 14-18)Pub Date: July 9, 2019
ISBN: 978-1-5476-0092-2
Page Count: 336
Publisher: Bloomsbury
Review Posted Online: April 7, 2019
Kirkus Reviews Issue: May 1, 2019
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Riveting, brutal and beautifully told.
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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 17, 2014
Kirkus Reviews Issue: April 1, 2014
Categories: TEENS & YOUNG ADULT FAMILY | TEENS & YOUNG ADULT SOCIAL THEMES
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PROFILES
A slightly abridged graphic version of the classic that will drive off all but the artist’s most inveterate fans.
Admirers of the original should be warned away by veteran horror artist Bernie Wrightson’s introductory comments about Grimly’s “wonderfully sly stylization” and the “twinkle” in his artistic eye. Most general readers will founder on the ensuing floods of tiny faux handwritten script that fill the opening 10 pages of stage-setting correspondence (other lengthy letters throughout are presented in similarly hard-to-read typefaces). The few who reach Victor Frankenstein’s narrative will find it—lightly pruned and, in places, translated into sequences of largely wordless panels—in blocks of varied length interspersed amid sheaves of cramped illustrations with, overall, a sickly, greenish-yellow cast. The latter feature spidery, often skeletal figures that barrel over rough landscapes in rococo, steampunk-style vehicles when not assuming melodramatic poses. Though the rarely seen monster is a properly hard-to-resolve jumble of massive rage and lank hair, Dr. Frankenstein looks like a decayed Lyle Lovett with high cheekbones and an errant, outsized quiff. His doomed bride, Elizabeth, sports a white lock à la Elsa Lanchester, and decorative grotesqueries range from arrangements of bones and skull-faced flowers to bunnies and clownish caricatures.
Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s. (Graphic classic. 14 & up)Pub Date: Aug. 27, 2013
ISBN: 978-0-06-186297-7
Page Count: 208
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: July 3, 2013
Kirkus Reviews Issue: July 15, 2013
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