A fascinating magic trick of a memoir that illuminates a woman's search for meaning.

WHITE MAGIC

ESSAYS

A Cowlitz woman’s collection of interconnected essays on memory, nostalgia, and introspection, conveyed through personal history, popular culture, and magic.

Washuta begins with an account of her history with magic and witchcraft growing up. "The truth is I'm not a witch, exactly: I'm a person with prayers, a person who believes in spirits and plays with fire,” she writes. The author’s story is also one of personal healing, as she writes candidly about her abuse of alcohol, being misdiagnosed as bipolar, and suffering from PTSD. Across 10 interwoven essays that move through Washuta’s life, she uses popular-culture references—e.g., Fleetwood Mac, Twin Peaks, and the video game “Oregon Trail II”—as guideposts in her own journey of understanding the world and her place in it. Washuta shifts her focus frequently (perhaps too much for some readers), from the history of the Seattle area to an in-depth discussion of horror movies to her search for an anti-drinking educational video she though she saw as a teen. At the same time, she investigates the connections among magic, witchcraft, and her Native heritage. The book breaks from traditional memoir in intriguing ways, including footnotes that speak directly to readers and an essay that begins by focusing on Twin Peaks and then slowly begins to emulate it, moving back and forth through time and showing the changing nature of narrative across shifting time frames. Throughout, Washuta is consistently honest about her own past and opinions, and she is unafraid to directly question readers, demanding engagement with the text. “This book is a narrative,” she writes. “It has an arc. But the tension is not in what happened when I lived it; it’s in what happened when I wrote it. Like I already told you, this is not just a recounted story; I am trying to make something happen and record the process and results.”

A fascinating magic trick of a memoir that illuminates a woman's search for meaning.

Pub Date: April 27, 2021

ISBN: 978-1-951142-39-1

Page Count: 432

Publisher: Tin House

Review Posted Online: March 3, 2021

Kirkus Reviews Issue: March 15, 2021

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A conversational, pleasurable look into McConaughey’s life and thought.

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GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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