An edge-of-your-seat read.

THE CANYON'S EDGE

A girl’s birthdays mark parallel tragedies for her broken family unit.

Last year’s celebration at a restaurant ended in an unexplained public shooting, and Nora’s mother died. She and her father are still wrestling with their trauma, Nora with a confirmed diagnosis of PTSD. For this year’s outing, Nora and her father head into the deserts of the Southwest on a rock-climbing expedition. They descend into a 40-foot deep slot canyon, then hike along inside until a flash flood barrels through the canyon, washing away all their supplies…and Nora’s father. She’s left to survive this symbolic and living nightmare on her own. Thankfully, she can make continuous use of her parents’ thorough training in desert knowledge. Brief sections of prose bracket the meat of the story, which is in verse, a choice highly effective in setting tone and emotional resonance for the heightened situation. Bowling’s poems run a gamut of forms, transforming the literal shape of the text just as the canyon walls surrounding Nora shape her trek. The voice of Nora’s therapist breaks through occasionally, providing a counterpoint perspective. Nora is White while two characters seen in memories have brown skin. The narrative also names local Native peoples. Elements of the survival story and psychological thriller combine with strong symbolism to weave a winding, focused, stunning narrative ultimately about the search for healing.

An edge-of-your-seat read. (Adventure. 8-12)

Pub Date: Sept. 8, 2020

ISBN: 978-0-316-49469-4

Page Count: 240

Publisher: Little, Brown

Review Posted Online: May 17, 2020

Kirkus Reviews Issue: June 1, 2020

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With Ivan’s movie out this year from Disney, expect great interest—it will be richly rewarded.

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THE ONE AND ONLY BOB

Tiny, sassy Bob the dog, friend of The One and Only Ivan (2012), returns to tell his tale.

Wisecracking Bob, who is a little bit Chihuahua among other things, now lives with his girl, Julia, and her parents. Happily, her father works at Wildworld Zoological Park and Sanctuary, the zoo where Bob’s two best friends, Ivan the gorilla and Ruby the elephant, live, so Bob gets to visit and catch up with them regularly. Due to an early betrayal, Bob doesn’t trust humans (most humans are good only for their thumbs); he fears he’s going soft living with Julia, and he’s certain he is a Bad Dog—as in “not a good representative of my species.” On a visit to the zoo with a storm threatening, Bob accidentally falls into the gorilla enclosure just as a tornado strikes. So that’s what it’s like to fly. In the storm’s aftermath, Bob proves to everyone (and finally himself) that there is a big heart in that tiny chest…and a brave one too. With this companion, Applegate picks up where her Newbery Medal winner left off, and fans will be overjoyed to ride along in the head of lovable, self-deprecating Bob on his storm-tossed adventure. His wry doggy observations and attitude are pitch perfect (augmented by the canine glossary and Castelao’s picture dictionary of dog postures found in the frontmatter). Gorilla Ivan described Julia as having straight, black hair in the previous title, and Castelao's illustrations in that volume showed her as pale-skinned. (Finished art not available for review.)

With Ivan’s movie out this year from Disney, expect great interest—it will be richly rewarded. (afterword) (Fiction. 8-12)

Pub Date: May 5, 2020

ISBN: 978-0-06-299131-7

Page Count: 352

Publisher: Harper/HarperCollins

Review Posted Online: March 25, 2020

Kirkus Reviews Issue: April 15, 2020

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Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

GHOSTS

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 2, 2016

Kirkus Reviews Issue: July 15, 2016

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