A tale full of set pieces meant to lead kids to home truths but that might not get them there.

24 HOURS IN NOWHERE

When narrator Gus is rescued from neighborhood bully Bo by the very capable Rossi—who sacrifices her beloved dirt bike, Loretta, in the doing—an unlikely adventure in the nearby Dead Frenchman’s Mine is triggered.

Equipped with a pickle jar of water and some sandwiches, Gus sets off into the mine in search of treasure to buy Loretta back, with the unwanted company of Bo’s lackey Matthew. Shortly after, Rossi shows up in the mine with Jessie, Gus’ former best friend. (Readers learn early on that Rossi is Native American and Jessie is Mexican-American; Gus and Matthew are implied white.) Naturally, the mine tunnel collapses, leaving them trapped. In a series of narrative contrivances, the four 13-year-olds happen upon discoveries that may lead both to their escape and to the truth behind an old local legend. Even as they struggle to find their way—and amid encounters with a mountain lion, bats, and javelinas—the kids take time to discuss many of the challenges they face in the outside world and among one another. These interludes may strike readers as ill-timed given the danger, but they offer Bowling ample opportunity to play Gus’ cluelessness and Matthew’s casual malice against Rossi’s and Jessie’s firsthand familiarity with American racism. Although Gus is careful to point out that Rossi is Tohono O’odham, and later Rossi reveals some factoids about her heritage, his fascination with her dark ponytail and her general inscrutability reinforce stereotypes—as does the obviousness of the setup.

A tale full of set pieces meant to lead kids to home truths but that might not get them there. (Adventure. 10-14)

Pub Date: Sept. 4, 2018

ISBN: 978-1-4549-2924-6

Page Count: 256

Publisher: Sterling

Review Posted Online: May 28, 2018

Kirkus Reviews Issue: June 15, 2018

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Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel.

CAPTAIN UNDERPANTS AND THE TERRIFYING RETURN OF TIPPY TINKLETROUSERS

From the Captain Underpants series , Vol. 9

Sure signs that the creative wells are running dry at last, the Captain’s ninth, overstuffed outing both recycles a villain (see Book 4) and offers trendy anti-bullying wish fulfillment.

Not that there aren’t pranks and envelope-pushing quips aplenty. To start, in an alternate ending to the previous episode, Principal Krupp ends up in prison (“…a lot like being a student at Jerome Horwitz Elementary School, except that the prison had better funding”). There, he witnesses fellow inmate Tippy Tinkletrousers (aka Professor Poopypants) escape in a giant Robo-Suit (later reduced to time-traveling trousers). The villain sets off after George and Harold, who are in juvie (“not much different from our old school…except that they have library books here.”). Cut to five years previous, in a prequel to the whole series. George and Harold link up in kindergarten to reduce a quartet of vicious bullies to giggling insanity with a relentless series of pranks involving shaving cream, spiders, effeminate spoof text messages and friendship bracelets. Pilkey tucks both topical jokes and bathroom humor into the cartoon art, and ups the narrative’s lexical ante with terms like “pharmaceuticals” and “theatrical flair.” Unfortunately, the bullies’ sad fates force Krupp to resign, so he’s not around to save the Earth from being destroyed later on by Talking Toilets and other invaders…

Is this the end? Well, no…the series will stagger on through at least one more scheduled sequel. (Fantasy. 10-12)

Pub Date: Aug. 28, 2012

ISBN: 978-0-545-17534-0

Page Count: 304

Publisher: Scholastic

Review Posted Online: June 20, 2012

Kirkus Reviews Issue: July 15, 2012

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Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense.

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REFUGEE

In the midst of political turmoil, how do you escape the only country that you’ve ever known and navigate a new life? Parallel stories of three different middle school–aged refugees—Josef from Nazi Germany in 1938, Isabel from 1994 Cuba, and Mahmoud from 2015 Aleppo—eventually intertwine for maximum impact.

Three countries, three time periods, three brave protagonists. Yet these three refugee odysseys have so much in common. Each traverses a landscape ruled by a dictator and must balance freedom, family, and responsibility. Each initially leaves by boat, struggles between visibility and invisibility, copes with repeated obstacles and heart-wrenching loss, and gains resilience in the process. Each third-person narrative offers an accessible look at migration under duress, in which the behavior of familiar adults changes unpredictably, strangers exploit the vulnerabilities of transients, and circumstances seem driven by random luck. Mahmoud eventually concludes that visibility is best: “See us….Hear us. Help us.” With this book, Gratz accomplishes a feat that is nothing short of brilliant, offering a skillfully wrought narrative laced with global and intergenerational reverberations that signal hope for the future. Excellent for older middle grade and above in classrooms, book groups, and/or communities looking to increase empathy for new and existing arrivals from afar.

Poignant, respectful, and historically accurate while pulsating with emotional turmoil, adventure, and suspense. (maps, author’s note) (Historical fiction. 10-14)

Pub Date: July 25, 2017

ISBN: 978-0-545-88083-1

Page Count: 352

Publisher: Scholastic

Review Posted Online: May 10, 2017

Kirkus Reviews Issue: June 1, 2017

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