A funny and pure tale proving that love conquers all.

VIKING IN LOVE

A sensitive, timid Viking crosses the ocean to woo a bold and fearless maiden in this refreshing picture book.

Stig, a White Viking, loves fresh air, stew, kittens, and drawing hearts. One day, he unexpectedly meets another White Viking named Ingrid and becomes quite smitten with her. That night, he writes her a love letter, and the next day he has to figure out how to get it to her, as she is now across the sea. The big problem is that Stig dislikes and fears the ocean. After several failed attempts to deliver the letter from land, he ventures out onto the water and embarks on a journey that tests his bravery and loyalty. Young readers will learn the Nordic word for hi and enjoy following Stig’s adorable kittens, who are invested in their owner’s quest and add humor and emotion to every page. The text is heartfelt but will also make readers laugh, and the asides add voice to the story. The digital cartoon illustrations are simple yet engaging and accurately capture the life and artifacts of a seaside Viking village; however, some details in the art may be too miniscule for young eyes. Ultimately, two poignant messages emerge: Fear is to be defeated only when one is ready, and one does not have to be like everyone else in order to love and be loved.

A funny and pure tale proving that love conquers all. (Picture book. 4-9)

Pub Date: Dec. 14, 2021

ISBN: 978-0-593-20228-9

Page Count: 48

Publisher: Viking

Review Posted Online: Nov. 16, 2021

Kirkus Reviews Issue: Dec. 1, 2021

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Celebrated collaborators deliver another thoughtful delight, revealing how “making marks” links us across time and space.

CAVE PAINTINGS

A trip to grandmother’s launches light-years beyond the routine sort, as a human child travels from deep space to Earth.

The light-skinned, redheaded narrator journeys alone as flight attendants supply snacks to diverse, interspecies passengers. The kid muses, “Sometimes they ask me, ‘Why are you always going to the farthest planet?’ ”The response comes after the traveler hurtles through the solar system, lands, and levitates up to the platform where a welcoming grandmother waits: “Because it’s worth it / to cross one universe / to explore another.” Indeed, child and grandmother enter an egg-shaped, clear-domed orb and fly over a teeming savanna and a towering waterfall before disembarking, donning headlamps, and entering a cave. Inside, the pair marvel at a human handprint and ancient paintings of animals including horses, bison, and horned rhinoceroses. Yockteng’s skilled, vigorously shaded pictures suggest references to images found in Lascaux and Chauvet Cave in France. As the holiday winds down, grandmother gives the protagonist some colored pencils that had belonged to grandfather generations back. (She appears to chuckle over a nude portrait of her younger self.) The pencils “were good for making marks on paper. She gave me that too.” The child draws during the return trip, documenting the visit and sights along the journey home. “Because what I could see was infinity.” (This book was reviewed digitally with 9.8-by-19.6-inch double-page spreads viewed at 85% of actual size.)

Celebrated collaborators deliver another thoughtful delight, revealing how “making marks” links us across time and space. (Picture book. 5-9)

Pub Date: Oct. 27, 2020

ISBN: 978-1-77306-172-6

Page Count: 52

Publisher: Groundwood

Review Posted Online: Sept. 15, 2020

Kirkus Reviews Issue: Oct. 1, 2020

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A life devoted to freedom and dignity, worthy of praise and remembrance.

MUMBET'S DECLARATION OF INDEPENDENCE

With the words of Massachusetts colonial rebels ringing in her ears, a slave determines to win her freedom.

In 1780, Mumbet heard the words of the new Massachusetts constitution, including its declaration of freedom and equality. With the help of a young lawyer, she went to court and the following year, won her freedom, becoming Elizabeth Freeman. Slavery was declared illegal and subsequently outlawed in the state. Woelfle writes with fervor as she describes Mumbet’s life in the household of John Ashley, a rich landowner and businessman who hosted protest meetings against British taxation. His wife was abrasive and abusive, striking out with a coal shovel at a young girl, possibly Mumbet’s daughter. Mumbet deflected the blow and regarded the wound as “her badge of bravery.” Ironically, the lawyer who took her case, Theodore Sedgwick, had attended John Ashley’s meetings. Delinois’ full-bleed paintings are heroic in scale, richly textured and vibrant. Typography becomes part of the page design as the font increases when the text mentions freedom. Another slave in the Ashley household was named in the court case, but Woelfle, keeping her young audience in mind, keeps it simple, wisely focusing on Mumbet.

A life devoted to freedom and dignity, worthy of praise and remembrance. (author’s note, selected bibliography, further reading) (Picture book/biography. 5-8)

Pub Date: Feb. 1, 2014

ISBN: 978-0-7613-6589-1

Page Count: 32

Publisher: Carolrhoda

Review Posted Online: Oct. 9, 2013

Kirkus Reviews Issue: Nov. 1, 2013

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