Even one of the novelist’s lesser efforts has the signature style, edge and heart to delight fans.

THE DROP

The bard of blue-collar Boston crime returns with a sleight-of-hand novel tinged with sin and redemption.

The latest from Lehane (Live by Night, 2012, etc.) is a novel with an unusual genesis, and it’s shorter and less intricate than usual. It began when he was asked to adapt one of his short stories (“Animal Rescue”) for a movie. Though his novels have seen success on the big screen, this was his screenwriting debut, and it preceded the writing of this book, which might be dismissed, in lesser hands, as a “novelization” of the film. It’s richer than a mere re-creation of a movie on the page because the author gets inside the heads and thoughts of his characters in a way that a movie generally can’t. And this particular perspective is crucial when it comes to protagonist Bob, a keep-to-himself bartender who works for Cousin Marv. Both men, like pretty much every man in their neighborhood, have some sort of shady past, but the two have apparently gone comparatively straight. Yet Cousin Marv’s bar remains used by the Chechen mobsters who own it as a money drop for transferring funds. Such is the backdrop for what appears to be the main plot, in which lonesome, loveless Bob finds a beaten puppy in a trash can and is persuaded by a woman who witnesses the incident (and who has her own questionable past) to take it home. Since “all he wanted was to not be alone,” the connection with both the dog and the woman proves so transforming that he “suspected they might have been brought together by something other than chance.” But there’s another connection, a crazy thug and rumored killer who claims that both the dog and the woman are his. As the novel progresses, every character has secrets and revelations—except maybe Rocco, the dog—as the plot pivots in some surprising directions.

Even one of the novelist’s lesser efforts has the signature style, edge and heart to delight fans.

Pub Date: Sept. 2, 2014

ISBN: 978-0-06-236544-6

Page Count: 224

Publisher: Morrow/HarperCollins

Review Posted Online: Aug. 27, 2014

Kirkus Reviews Issue: Sept. 15, 2014

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Absolutely enthralling. Read it.

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NORMAL PEOPLE

A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

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This book sings with the terrible silence of dead civilizations in which once there was valor.

THINGS FALL APART

Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.

Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.

This book sings with the terrible silence of dead civilizations in which once there was valor.

Pub Date: Jan. 23, 1958

ISBN: 0385474547

Page Count: 207

Publisher: McDowell, Obolensky

Review Posted Online: April 23, 2013

Kirkus Reviews Issue: Jan. 1, 1958

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