PIES FROM NOWHERE

HOW GEORGIA GILMORE SUSTAINED THE MONTGOMERY BUS BOYCOTT

Despite significant danger to themselves, Georgia Gilmore and the Club from Nowhere raised support for the Montgomery bus boycott.

Georgia Gilmore was an excellent cook and baker. The third-person narrator explains that when Rosa Parks was jailed, Georgia had already been boycotting the Montgomery buses (due to mistreatment from drivers) for two months. Tired of injustice, when the citywide boycott began, Georgia wanted to support the cause. So she made use of her remarkable culinary skills: Along with other women, she cooked and baked, donating their sales to the cause. To avoid retribution, the proceeds were donated anonymously. The boycott is explained simply—even children with no prior knowledge of segregation or the civil rights movement will be able to follow the story with little exposition. Though Georgia eventually faced retaliation, she remained true to her beliefs and became an entrepreneur, creating a safe meeting space for civil rights leaders. The text placement sometimes feels clunky, and some of the single-page spreads can feel confusing in juxtaposition (though the art is otherwise well-executed). Despite these minor flaws, the message that, like Georgia, everyone can find a place in the fight for social justice is clear. Pair with Monica Clark-Robinson and Frank Morrison’s Let the Children March (2017) and Olugbemisola Rhuday-Perkovich and Jade Johnson’s Someday Is Now (2017) or other titles that highlight lesser-known figures for a fuller understanding of the civil rights movement.

Empowering. (sources, author’s note, recipe) (Informational picture book. 6-9)

Pub Date: Nov. 6, 2018

ISBN: 978-1-4998-0720-2

Page Count: 40

Publisher: Little Bee

Review Posted Online: Oct. 15, 2018

Kirkus Reviews Issue: Nov. 1, 2018

Did you like this book?

No Comments Yet

A book to share that celebrates an immigrant and his abiding love for his adopted country, its holidays, and his “home sweet...

IRVING BERLIN, THE IMMIGRANT BOY WHO MADE AMERICA SING

A Jewish immigrant from Russia gives America some of its most iconic and beloved songs.

When Israel Baline was just 5 years old, his family fled pogroms in the Russian Empire and landed in New York City’s Lower East Side community. In the 1890s the neighborhood was filled with the sights, smells, and, most of all, sounds of a very crowded but vibrant community of poor Europeans who sailed past the Statue of Liberty in New York’s harbor to make a new life. Israel, who later became Irving Berlin, was eager to capture those sounds in music. He had no formal musical training but succeeded grandly by melding the rich cantorial music of his father with the spirit of America. Churnin’s text focuses on Berlin’s early years and how his mother’s words were an inspiration for “God Bless America.” She does not actually refer to Berlin as Jewish until her author’s note. Sanchez’s digital illustrations busily fill the mostly dark-hued pages with angular faces and the recurring motif of a very long swirling red scarf, worn by Berlin throughout. Librarians should note that the CIP information and the timeline are on pages pasted to the inside covers.

A book to share that celebrates an immigrant and his abiding love for his adopted country, its holidays, and his “home sweet home.” (author’s note, timeline) (Picture book/biography. 6-9)

Pub Date: June 1, 2018

ISBN: 978-1-939547-44-6

Page Count: 32

Publisher: Creston

Review Posted Online: March 4, 2018

Kirkus Reviews Issue: March 15, 2018

Did you like this book?

No Comments Yet

It’s not the most dramatic version, but it’s a visually effective and serviceable addition to the rapidly growing shelf of...

THE FIRST MEN WHO WENT TO THE MOON

A 50th-anniversary commemoration of the epochal Apollo 11 mission.

Modeling her account on “The House That Jack Built” (an unspoken, appropriate nod to President John F. Kennedy’s foundational role in the enterprise), Greene takes Armstrong, Aldrin, and Collins from liftoff to post-splashdown ticker-tape parade. Side notes on some spreads and two pages of further facts with photographs at the end, all in smaller type, fill in select details about the mission and its historical context. The rhymed lines are fully cumulated only once, so there is some repetition but never enough to grow monotonous: “This is the Moon, a mysterious place, / a desolate land in the darkness of space, / far from Earth with oceans blue.” Also, the presentation of the text in just three or fewer lines per spread stretches out the narrative and gives Brundage latitude for both formal and informal group portraits of Apollo 11’s all-white crew, multiple glimpses of our planet and the moon at various heights, and, near the end, atmospheric (so to speak) views of the abandoned lander and boot prints in the lunar dust.

It’s not the most dramatic version, but it’s a visually effective and serviceable addition to the rapidly growing shelf of tributes to our space program’s high-water mark. (Informational picture book. 6-8)

Pub Date: March 15, 2019

ISBN: 978-1-58536-412-1

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: Jan. 15, 2019

Kirkus Reviews Issue: Feb. 1, 2019

Did you like this book?

No Comments Yet
more