A camping trip for two friends doesn’t quite go as planned.
Tiny, white Mouse is bursting with enthusiasm when she greets big, fuchsia Monster with “Let’s go camping!” But Monster doesn’t know what camping is. Mouse explains: “You walk in the woods. You sleep in a tent. You tell spooky stories.” Monster’s posture says it all (scary!), but Mouse’s promise that there will also be food brings him around—it’s clear from the opening spread that he is ruled by his stomach. Camping-savvy readers will note something missing from Mouse’s checklist of items to pack. And as the duo heads through the woods, their supplies dwindle—apparently Monster, who is round and bristly with a horn on the end of his long snout and two pointy teeth, must be part goat. When they finally reach the hilltop where Mouse has chosen to camp, the truth comes out. Mouse’s face droops as she learns what’s happened, but Monster’s regretful sincerity is genuine, as is Mouse’s. In a twist readers won’t see coming, the two find a (hilarious!) solution to their problem, and Monster turns out to like camping after all. The digital illustrations keep the focus on the friends and their emotions, the slapstick humor coming through loud and clear.
This is one camping trip sure to live up to expectations. (Picture book. 4-8)Pub Date: May 29, 2018
ISBN: 978-0-544-64832-6
Page Count: 32
Publisher: HMH Books
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
Categories: CHILDREN'S SOCIAL THEMES | CHILDREN'S ENTERTAINMENT & SPORTS
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Empathetic art and lyrical text blend for a touching and empowering tale.
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The latest book in the Questioneer series centers an African American boy who has dyslexia.
Roberts’ characteristic cartoon illustrations open on a family of six that includes two mothers of color, children of various abilities and racial presentations, and two very amused cats. In a style more expressive and stirring than other books in the series, Beaty presents a boy overcoming insecurities related to reading comprehension. Like Harlem Renaissance artist Aaron Douglas, the boy’s namesake, the protagonist loves to draw. More than drawing, however, young Aaron wishes to write, but when he tries to read, the letters appear scrambled (effectively illustrated with a string of wobbly, often backward letters that trail across the pages). The child retreats into drawing. After an entire school year of struggle, Aaron decides to just “blend in.” At the beginning of the next school year, a writing prompt from a new teacher inspires Aaron, who spends his evening attempting to write “a story. Write something true.” The next day in class, having failed to put words on paper, Aaron finds his voice and launches into a story that shows how “beauty and kindness and loving and art / lend courage to all with a welcoming heart.” In the illustration, a tableau of colorful mythological beings embodies Aaron’s tale. The text is set in a dyslexia-friendly type. (This book was reviewed digitally.)
Empathetic art and lyrical text blend for a touching and empowering tale. (author's note, illustrator's note) (Picture book. 5-8)Pub Date: Nov. 2, 2021
ISBN: 978-1-4197-5396-1
Page Count: 40
Publisher: Abrams
Review Posted Online: Oct. 13, 2021
Kirkus Reviews Issue: Nov. 1, 2021
Categories: CHILDREN'S SOCIAL THEMES
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BOOK REVIEW
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The author recounts a formative childhood experience that continues to inspire her today.
Born to Hmong refugees, Kalia has only ever known the confines of the Ban Vinai refugee camp in Thailand. Even while playing with her cousins, reminders of the hardships of their life are always present. She overhears the aunties sharing their uncertainty and fear of the future. They are a people with no home country and are still trying to find peace. Kalia asks her father why they live behind a gate and wonders what lies beyond the fences that surround the camp. The next day they climb a tall tree, and he shows her the vast expanse around them, from familiar camp landmarks to distant mountains “where the sky meets earth.” This story of resilience and generational hope is told in an expressive, straightforward narrative style. The simplicity of the text adds a level of poignancy that moves readers to reflection. The layered and heavily textured illustrations complement the text while highlighting the humanity of the refugees and providing a quiet dignity to camp life. The militarylike color palette of olive greens, golden yellows, and rich browns reinforces the guarded atmosphere but also represents the transitional period from winter to spring, a time ripe with anticipation and promise.
A visually striking, compelling recollection. (author's note, glossary, map.) (Picture book/memoir. 5-9)Pub Date: Oct. 5, 2021
ISBN: 978-1-5415-8130-2
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: June 29, 2021
Kirkus Reviews Issue: July 15, 2021
Categories: CHILDREN'S BIOGRAPHY & MEMOIR | CHILDREN'S SOCIAL THEMES | CHILDREN'S FAMILY
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This smart cookie wasn’t alwaysa smart cookie.
At the corner of Sweet Street stands a bakery, which a whole range of buns and cakes and treats calls home, including a small cookie who “didn’t feel comfortable speaking up or sharing” any ideas once upon a time. During the early days of gingerbread school, this cookie (with sprinkles on its top half, above its wide eyes and tiny, smiling mouth) never got the best grades, didn’t raise a hand to answer questions, and almost always finished most tests last, despite all best efforts. As a result, the cookie would worry away the nights inside of a cookie jar. Then one day, kind Ms. Biscotti assigns some homework that asks everyone “to create something completely original.” What to do? The cookie’s first attempts (baking, building a birdhouse, sculpting) fail, but an idea strikes soon enough. “A poem!” Titling its opus “My Crumby Days,” the budding cookie poet writes and writes until done. “AHA!” When the time arrives to share the poem with the class, this cookie learns that there’s more than one way to be smart. John and Oswald’s latest installment in the hilarious Food Group series continues to provide plenty of belly laughs (thanks to puns galore!) and mini buns of wisdom in a wholly effervescent package. Oswald’s artwork retains its playful, colorful creative streak. Although slightly less effective than its predecessors due to its rather broad message, this one’s nonetheless an excellent addition to the menu.(This book was reviewed digitally.)
A deliciously sweet reminder to try one’s unique best. (Picture book. 4-8)Pub Date: Nov. 2, 2021
ISBN: 978-0-06-304540-8
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 24, 2021
Kirkus Reviews Issue: Oct. 15, 2021
Categories: CHILDREN'S SOCIAL THEMES
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