SKY BOYS

HOW THEY BUILT THE EMPIRE STATE BUILDING

“A symbol of hope in the darkest of times,” the Empire State Building was built in record time during the Great Depression. In their latest collaboration, Hopkinson and Ransome beautifully depict its construction in one year and 45 days, as seen through the watchful eyes of a young boy. The free-verse narrative and dynamic oil paintings are a superb one-two punch, nicely complemented by endpapers celebrating the photographs of Lewis Hine, who documented the construction of the Empire State Building from 1930 to 1931. Poetic lines are packed with information, and the palette ranges from blue-sky days to rich nighttime hues to beautiful bursts of oranges, yellows and blues. As in Mordicai Gerstein’s The Man Who Walked Between the Towers (2003), perspectives range from ground-level views to soaring vistas to dizzying looks down to earth from above. A beautiful work befitting its subject. (author’s note, sources) (Picture book/nonfiction. 4-9)

Pub Date: Feb. 28, 2006

ISBN: 0-375-83610-1

Page Count: 48

Publisher: Schwartz & Wade/Random

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2006

Did you like this book?

No Comments Yet

PINK AND SAY

A white youth from Ohio, Sheldon Russell Curtis (Say), and a black youth from Georgia, Pinkus Aylee (Pink), meet as young soldiers with the Union army. Pink finds Say wounded in the leg after a battle and brings him home with him. Pink's mother, Moe Moe Bay, cares for the boys while Say recuperates, feeding and comforting them and banishing the war for a time. Whereas Pink is eager to go back and fight against "the sickness" that is slavery, Say is afraid to return to his unit. But when he sees Moe Moe Bay die at the hands of marauders, he understands the need to return. Pink and Say are captured by Confederate soldiers and brought to the notorious Andersonville prison camp. Say is released months later, ill and undernourished, but Pink is never released, and Polacco reports that he was hanged that very first day because he was black. Polacco (Babushka Baba Yaga, 1993, etc; My Rotten Redheaded Older Brother, above) tells this story, which was passed down for generations in her family (Say was her great-great-grandfather), carefully and without melodrama so that it speaks for itself. The stunning illustrations — reminiscent of the German expressionist Egon Shiele in their use of color and form — are completely heartbreaking. A spectacular achievement. (Nonfiction/Picture book. 4- 8)

Pub Date: Sept. 15, 1994

ISBN: 0-399-22671-0

Page Count: 48

Publisher: Philomel

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 1994

Did you like this book?

No Comments Yet

Celebrated collaborators deliver another thoughtful delight, revealing how “making marks” links us across time and space.

CAVE PAINTINGS

A trip to grandmother’s launches light-years beyond the routine sort, as a human child travels from deep space to Earth.

The light-skinned, redheaded narrator journeys alone as flight attendants supply snacks to diverse, interspecies passengers. The kid muses, “Sometimes they ask me, ‘Why are you always going to the farthest planet?’ ”The response comes after the traveler hurtles through the solar system, lands, and levitates up to the platform where a welcoming grandmother waits: “Because it’s worth it / to cross one universe / to explore another.” Indeed, child and grandmother enter an egg-shaped, clear-domed orb and fly over a teeming savanna and a towering waterfall before disembarking, donning headlamps, and entering a cave. Inside, the pair marvel at a human handprint and ancient paintings of animals including horses, bison, and horned rhinoceroses. Yockteng’s skilled, vigorously shaded pictures suggest references to images found in Lascaux and Chauvet Cave in France. As the holiday winds down, grandmother gives the protagonist some colored pencils that had belonged to grandfather generations back. (She appears to chuckle over a nude portrait of her younger self.) The pencils “were good for making marks on paper. She gave me that too.” The child draws during the return trip, documenting the visit and sights along the journey home. “Because what I could see was infinity.” (This book was reviewed digitally with 9.8-by-19.6-inch double-page spreads viewed at 85% of actual size.)

Celebrated collaborators deliver another thoughtful delight, revealing how “making marks” links us across time and space. (Picture book. 5-9)

Pub Date: Oct. 27, 2020

ISBN: 978-1-77306-172-6

Page Count: 52

Publisher: Groundwood

Review Posted Online: Sept. 15, 2020

Kirkus Reviews Issue: Oct. 1, 2020

Did you like this book?

No Comments Yet
more