Captain Underpants look-alikes return with a caper sure to tickle preschool funny bones at storytime.

WHERE'S MY TUSHY?

Playful rhyming couplets reveal the necessity of backsides.

You’d think it’d be cushy to write about tushies. You’d think it’d be easy to please. Instead, it’s a chore. The effort’s a bore, and rhyming takes real expertise. Aronson pulls it off in this jaunty picture book enlivened by humorous cartoons featuring chubby, shmoo-like figures dressed in an amazing variety of underwear. When all the tushies in town decide their lives are “too tough” and take off for vacation at the beach, people discover just how important these body parts are in their lives. Their clothes won’t stay up, and they can’t sit down. There’s no real narrative arc here. The rumps run away, romp in the sun and then return, while their owners worry and wonder where they’ve gone. The couplets, often set as quatrains, sit directly on the illustrations, many of which are double-page spreads that expand the story. Stevanovic’s ink-and-watercolor illustrations, digitally enhanced, show unhappy townsfolk making do with pillows and suspenders while detectives and police carry on their investigation and the runaways enjoy the shore. A wraparound cover sets the stage, depicting the bums escaping into the night.

Captain Underpants look-alikes return with a caper sure to tickle preschool funny bones at storytime. (Picture book. 3-6)

Pub Date: May 1, 2014

ISBN: 978-1-4677-1197-5

Page Count: 24

Publisher: Carolrhoda

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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Safe to creep on by.

LOVE FROM THE VERY HUNGRY CATERPILLAR

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 2, 2021

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As ephemeral as a valentine.

LOVE FROM THE CRAYONS

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 2, 2021

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