There is much to enjoy here, and the illustrations and allusions beg for repeat readings.

WHAT'S THE TIME, MR. WOLF?

Readers check in on Mr. Wolf every hour of his birthday, but it seems like the poor guy just can’t catch a break on his special day.

Four-and-twenty blackbirds wake him up (at 7 a.m.), asking him the titular question. His grumpy answer? “It’s time for blackbird pie.” His porcine neighbors keep him from a snooze by slamming their doors on their way to work (“time for bacon sandwiches”). And the day continues in this vein: The letter carrier (a girl in a red hood) skips his house, his cupboard is bare, it rains on the way to the store, and every hour, fairy-tale and nursery-rhyme characters check in on Mr.Wolf, asking him for the time. But readers won’t need to ask for the time. A marvelous mix of timepieces is scattered throughout the text and includes analog and digital clocks of all sorts: a sundial, a pocket watch, a wristwatch and a cuckoo clock, among others. By the time the hapless birthday boy is awoken from his nap by a fiddle-playing cat, observant readers will have guessed the “surprise” ending. But the time-telling practice and literary references aren’t even the best treasure here. Gliori’s watercolor-and-ink illustrations are both detailed and delicately executed, charming and wowing at the same time.

There is much to enjoy here, and the illustrations and allusions beg for repeat readings. (Picture book. 4-8)

Pub Date: Oct. 2, 2012

ISBN: 978-0-8027-3432-7

Page Count: 32

Publisher: Walker

Review Posted Online: Aug. 15, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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As ephemeral as a valentine.

LOVE FROM THE CRAYONS

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 2, 2021

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This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez,...

MANGO, ABUELA, AND ME

Abuela is coming to stay with Mia and her parents. But how will they communicate if Mia speaks little Spanish and Abuela, little English? Could it be that a parrot named Mango is the solution?

The measured, evocative text describes how Mia’s español is not good enough to tell Abuela the things a grandmother should know. And Abuela’s English is too poquito to tell Mia all the stories a granddaughter wants to hear. Mia sets out to teach her Abuela English. A red feather Abuela has brought with her to remind her of a wild parrot that roosted in her mango trees back home gives Mia an idea. She and her mother buy a parrot they name Mango. And as Abuela and Mia teach Mango, and each other, to speak both Spanish and English, their “mouths [fill] with things to say.” The accompanying illustrations are charmingly executed in ink, gouache, and marker, “with a sprinkling of digital magic.” They depict a cheery urban neighborhood and a comfortable, small apartment. Readers from multigenerational immigrant families will recognize the all-too-familiar language barrier. They will also cheer for the warm and loving relationship between Abuela and Mia, which is evident in both text and illustrations even as the characters struggle to understand each other. A Spanish-language edition, Mango, Abuela, y yo, gracefully translated by Teresa Mlawer, publishes simultaneously.

This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez, an honoree. (Picture book. 4-7)

Pub Date: Aug. 25, 2015

ISBN: 978-0-7636-6900-3

Page Count: 32

Publisher: Candlewick

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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