An invitation not to be resisted.

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  • Caldecott Medal Winner

FLOTSAM

From arguably the most inventive and cerebral visual storyteller in children’s literature, comes a wordless invitation to drift with the tide, with the story, with your eyes, with your imagination.

A boy at the beach picks up a barnacle-encrusted underwater camera. He develops the film, which produces, first, pictures of a surreal undersea world filled with extraordinary details (i.e., giant starfish bestride the sea carrying mountainous islands on their backs), and then a portrait of a girl holding a picture of a boy holding a picture of another boy . . . and so on . . . and on. Finally, the boy needs a microscope to reveal portraits of children going back in time to a sepia portrait of a turn-of-the-century lad in knickers. The boy adds his own self-portrait to the others, casts the camera back into the waves, and it is carried by a sea creature back to its fantastic depths to be returned as flotsam for another child to find. In Wiesner’s much-honored style, the paintings are cinematic, coolly restrained and deliberate, beguiling in their sibylline images and limned with symbolic allusions.

An invitation not to be resisted. (Picture book. 6-11)

Pub Date: Sept. 4, 2006

ISBN: 978-0-618-19457-5

Page Count: 40

Publisher: Clarion Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 2006

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If not as effervescent as Roz’s first outing, it is still a provocatively contemplative one.

THE WILD ROBOT ESCAPES

Roz, a robot who learned to adapt to life among wild creatures in her first outing, seeks to return to the island she calls home.

Brown’s sequel to The Wild Robot (2016) continues an intriguing premise: What would happen to a robot after challenges in an unexpected environment cause it to evolve in unusual ways? As this book opens, Roz is delivered to a farm where she helps a widower with two young children run a dairy operation that has been in his family for generations. Roz reveals her backstory to the cows, who are supportive of the robot’s determination to return to the island and to her adopted son, the goose Brightbill. The cows, the children, and finally Brightbill himself come to Roz’s aid. The focus on Roz’s escape from human control results in a somewhat solemn and episodic narrative, with an extended journey and chase after Roz leaves the farm. Dr. Molovo, a literal deus ex machina, appears near the end of the story to provide a means of rescue. She is Roz’s designer/creator, and, intrigued by the robot’s adaptation and evolution but cognizant of the threat that those achievements might represent to humans, she assists Roz and Brightbill in their quest. The satisfactory (if inevitable-feeling) conclusion may prompt discussion about individual agency and determination, whether for robots or people.

If not as effervescent as Roz’s first outing, it is still a provocatively contemplative one. (Fiction. 8-11)

Pub Date: March 13, 2018

ISBN: 978-0-316-38204-5

Page Count: 288

Publisher: Little, Brown

Review Posted Online: Feb. 3, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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We challenge anyone to read this and keep a straight face.

THE BAD GUYS

From the Bad Guys series , Vol. 1

Four misunderstood villains endeavor to turn over a new leaf…or a new rap sheet in Blabey's frenzied romp.

As readers open the first page of this early chapter book, Mr. Wolf is right there to greet them, bemoaning his reputation. "Just because I've got BIG POINTY TEETH and RAZOR-SHARP CLAWS and I occasionally like to dress up like an OLD LADY, that doesn't mean… / … I'm a BAD GUY." To prove this very fact, Mr. Wolf enlists three equally slandered friends into the Good Guys Club: Mr. Snake (aka the Chicken Swallower), Mr. Piranha (aka the Butt Biter), and Mr. Shark (aka Jaws). After some convincing from Mr. Wolf, the foursome sets off determined to un-smirch their names (and reluctantly curbing their appetites). Although these predators find that not everyone is ready to be at the receiving end of their helpful efforts, they use all their Bad Guy know-how to manage a few hilarious good deeds. Blabey has hit the proverbial nail on the head, kissed it full on the mouth, and handed it a stick of Acme dynamite. With illustrations that startle in their manic comedy and deadpan direct address and with a narrative that follows four endearingly sardonic characters trying to push past (sometimes successfully) their fear-causing natures, this book instantly joins the classic ranks of Captain Underpants and The Stinky Cheese Man.

We challenge anyone to read this and keep a straight face. (Fiction. 7-11)

Pub Date: Jan. 3, 2017

ISBN: 978-0-545-91240-2

Page Count: 144

Publisher: Scholastic

Review Posted Online: Sept. 19, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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