Though he’s a little too enamored with “angel-headed hipsters” and “fairy dust,” Talbot takes the reader much deeper than...

SEASON OF THE WITCH

ENCHANTMENT, TERROR AND DELIVERANCE IN THE CITY OF LOVE

An ambitious, labor-of-love illumination of a city’s soul, celebrating the uniqueness of San Francisco without minimizing the price paid for the city’s free-spiritedness.

“This is my love letter to San Francisco,” writes Salon founder and CEO Talbot (Brothers: The Hidden History of the Kennedy Years, 2007). “But if it’s a valentine, it’s a bloody valentine, filled with the raw truth as well as the glory about the city that has been my home for more than three decades now.” More than a retread of beatnik and hippie years or a series of chapters on colorful characters (has any city boasted more than San Francisco?), the author encompasses the city’s essence. He seeks to make sense of how San Francisco became a magnet for those who felt they didn’t fit elsewhere, how it sparked the “Summer of Love,” a race war, the murders of its mayor and his charismatic ally (in which the author finds the police department “deeply implicated”), radical bombings, a high-profile kidnapping and the most notorious mass suicide in human history (Jonestown, in exile from San Francisco, which the author says should more appropriately be considered a “slaughter”).  Talbot loves his city deeply and knows it well, making the pieces of the puzzle fit together, letting the reader understand how a charismatic religious crackpot such as Jim Jones could wield such powerful political influence, how the Super Bowl victory of the San Francisco 49ers helped the city heal, how the conservative Italian Catholics who had long lived there wrestled with exotic newcomers for the soul of the city. “Cities, like people, have souls,” he writes. “And they can be broken by terrible events, but they can also be healed.”

Though he’s a little too enamored with “angel-headed hipsters” and “fairy dust,” Talbot takes the reader much deeper than cliché, exploring a San Francisco that tourists never discover.

Pub Date: May 8, 2012

ISBN: 978-1-4391-0821-5

Page Count: 464

Publisher: Free Press

Review Posted Online: Jan. 24, 2012

Kirkus Reviews Issue: Feb. 1, 2012

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This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 6, 2015

Kirkus Reviews Issue: July 1, 2015

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Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 20, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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