Though he’s a little too enamored with “angel-headed hipsters” and “fairy dust,” Talbot takes the reader much deeper than...

SEASON OF THE WITCH

ENCHANTMENT, TERROR AND DELIVERANCE IN THE CITY OF LOVE

An ambitious, labor-of-love illumination of a city’s soul, celebrating the uniqueness of San Francisco without minimizing the price paid for the city’s free-spiritedness.

“This is my love letter to San Francisco,” writes Salon founder and CEO Talbot (Brothers: The Hidden History of the Kennedy Years, 2007). “But if it’s a valentine, it’s a bloody valentine, filled with the raw truth as well as the glory about the city that has been my home for more than three decades now.” More than a retread of beatnik and hippie years or a series of chapters on colorful characters (has any city boasted more than San Francisco?), the author encompasses the city’s essence. He seeks to make sense of how San Francisco became a magnet for those who felt they didn’t fit elsewhere, how it sparked the “Summer of Love,” a race war, the murders of its mayor and his charismatic ally (in which the author finds the police department “deeply implicated”), radical bombings, a high-profile kidnapping and the most notorious mass suicide in human history (Jonestown, in exile from San Francisco, which the author says should more appropriately be considered a “slaughter”).  Talbot loves his city deeply and knows it well, making the pieces of the puzzle fit together, letting the reader understand how a charismatic religious crackpot such as Jim Jones could wield such powerful political influence, how the Super Bowl victory of the San Francisco 49ers helped the city heal, how the conservative Italian Catholics who had long lived there wrestled with exotic newcomers for the soul of the city. “Cities, like people, have souls,” he writes. “And they can be broken by terrible events, but they can also be healed.”

Though he’s a little too enamored with “angel-headed hipsters” and “fairy dust,” Talbot takes the reader much deeper than cliché, exploring a San Francisco that tourists never discover.

Pub Date: May 8, 2012

ISBN: 978-1-4391-0821-5

Page Count: 464

Publisher: Free Press

Review Posted Online: Jan. 24, 2012

Kirkus Reviews Issue: Feb. 1, 2012

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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