A more varied and less consistent essay collection from the noted humorist.
In middle age, Sedaris (When You Are Engulfed in Flames, 2008) no longer aims as often for laugh-out-loud funny as he did when he attracted a popular following almost two decades ago. Most of these essays revisit many of the areas he’s previously mined for hilarity—the dysfunctional family stuff, the gay stuff, the American-living-abroad stuff—but much of what he returns to in memory seems less antic and more melancholy than before. In the funniest piece, the penultimate “The Happy Place,” he discovers his Eden by embracing what others of his generation resist: the colonoscopy. “Never had I experienced such an all-encompassing sense of well-being,” he writes. “Everything was soft-edged and lovely. Everyone was magnificent….I’m not sure how long I lay there, blissed-out and farting.” Amid characteristic riffs on book tours, foreigners who eat funny (and Britons who talk funny), his underwear-clad, alcohol-swilling father, and his adventures in a variety of countries with his partner, Sedaris engages readers with a number of pieces in which he writes from a perspective that is obviously not the author’s, raging about the decline of liberty, morality and Western civilization in general in the wake of Barack Obama. With Jesus riding shotgun, the narrator of “If I Ruled the World” froths, “I’ll crucify the Democrats, the Communists, and a good 97% of the college students.” Funnier and sharper is “Just a Quick E-mail,” in which what appears to be a justifiable complaint about a chintzy wedding gift becomes ever more revelatory about the monstrosity of the sender.
Those who have followed Sedaris through the years will find plenty to enjoy, though not much in the way of surprise or revelation.Pub Date: April 23, 2013
ISBN: 978-0-316-15469-7
Page Count: 288
Publisher: Little, Brown
Review Posted Online: March 17, 2013
Kirkus Reviews Issue: April 1, 2013
Categories: GENERAL NONFICTION
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PROFILES
Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)
Pub Date: May 1, 1995
ISBN: 0-19-508629-4
Page Count: 224
Publisher: Oxford Univ.
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: March 1, 1995
Categories: GENERAL NONFICTION
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This early reader is an excellent introduction to the March on Washington in 1963 and the important role in the march played by Martin Luther King Jr. Ruffin gives the book a good, dramatic start: “August 28, 1963. It is a hot summer day in Washington, D.C. More than 250,00 people are pouring into the city.” They have come to protest the treatment of African-Americans here in the US. With stirring original artwork mixed with photographs of the events (and the segregationist policies in the South, such as separate drinking fountains and entrances to public buildings), Ruffin writes of how an end to slavery didn’t mark true equality and that these rights had to be fought for—through marches and sit-ins and words, particularly those of Dr. King, and particularly on that fateful day in Washington. Within a year the Civil Rights Act of 1964 had been passed: “It does not change everything. But it is a beginning.” Lots of visual cues will help new readers through the fairly simple text, but it is the power of the story that will keep them turning the pages. (Easy reader. 6-8)
Pub Date: Jan. 1, 2001
ISBN: 0-448-42421-5
Page Count: 48
Publisher: Grosset & Dunlap
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: Dec. 1, 2000
Categories: GENERAL NONFICTION
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