A rich trove for hardcore Sedaris fans, though no more personally revealing than his well-shaped essays.

A CARNIVAL OF SNACKERY

DIARIES (2003-2020)

The second volume of diaries by Sedaris (after Theft by Finding: Diaries 1977-2002), who navigates the early 21st century wealthier but still bemused.

The flashpoints of the modern era—the Iraq War, Ferguson, Trump, Covid-19—pop up throughout these entries, but mainly so the author can sail past them with his usual irreverence. For example: “When the pandemic hit, my first thought wasn’t Oh, those poor dying people but What about my airline status?” His bottomless capacity to make everything about him doesn’t read as selfishness or ignorance, though; as with all good comics, the particulars of his life are stand-ins for everybody’s foibles and frustrations. Traveling the world for readings, Sedaris takes note of every culture’s peculiarities, from spitting on the street in Tokyo to offensive insults to language quirks—e.g., Tagalog is like “English on quaaludes.” Sedaris treats his own life as a kind of foreign country, too. After moving from his longtime home in France to England, he began his hobby of picking up litter (documented in Let’s Explore Diabetes With Owls), and the reactions of his neighbors, not to mention the trash itself, provide comic fodder. Family matters were trickier during this period: His troubled sister, Tiffany, killed herself, and his elderly but resilient father still treated him like a failure. Because Sedaris traveled all over the world during this stretch, the tone and form of the diaries shift; he’s sometimes glib, sometimes contemplative, sometimes content just to catalog funny stuff he overhears. So for better or worse, he’s a humorist who’ll go anywhere. This book contains one of the best jokes about the Crucifixion you’re likely to hear, along with a few subpar quips: “To honor the death of Marcel Marceau I observed a minute of silence."

A rich trove for hardcore Sedaris fans, though no more personally revealing than his well-shaped essays.

Pub Date: Oct. 5, 2021

ISBN: 978-0-316-55879-2

Page Count: 560

Publisher: Little, Brown

Review Posted Online: July 15, 2021

Kirkus Reviews Issue: Aug. 15, 2021

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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A virtuoso performance and an ode to an undervalued medium created by two talented artists.

A WEALTH OF PIGEONS

A CARTOON COLLECTION

The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 31, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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