Few chills and even less logic.

BENT HEAVENS

Can Liv put the pieces of her life back together after her father’s mental breakdown?

In rural Bloughton, Iowa, Liv takes solace in the cross country team and the idea that she will be off to college before too long. Three years ago, her father, the high school’s former English and drama teacher, vanished only to return naked and talking about alien abduction. He disappeared for good eight months later. Liv and her friend Doug check the elaborate traps her father built in the woods during those eight months every Sunday. The teacher who replaced him decides to stage the same musical that was her father’s swan song, and after getting in trouble for an outburst over her insensitivity, Liv decides to destroy the traps…but discovers that one has caught an alien. After hiding the horrifying creature in her father’s shed, they discover it has her father’s compass. In anger, Liv attacks the beast and then she and Doug torture it repeatedly as revenge for her missing father…but the alien is not what they perceive him to be, and as the truth is revealed, the horror mounts. Kraus’ (Blood Sugar, 2019, etc.) newest horror fantasy (there is no science here) might inspire more anger than horror as the protagonists respond to otherness with violence. Outrage will likely be followed by laughter at the stagy, manipulative, over-the-top conclusion. Most characters seem to be white.

Few chills and even less logic. (Horror. 16-adult)

Pub Date: Feb. 25, 2020

ISBN: 978-1-250-15167-4

Page Count: 304

Publisher: Henry Holt

Review Posted Online: Nov. 19, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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A thrilling romance that could use more even pacing.

THE STARS WE STEAL

For the second time in her life, Leo must choose between her family and true love.

Nineteen-year-old Princess Leonie Kolburg’s royal family is bankrupt. In order to salvage the fortune they accrued before humans fled the frozen Earth 170 years ago, Leonie’s father is forcing her to participate in the Valg Season, an elaborate set of matchmaking events held to facilitate the marriages of rich and royal teens. Leo grudgingly joins in even though she has other ideas: She’s invented a water filtration system that, if patented, could provide a steady income—that is if Leo’s calculating Aunt Freja, the Captain of the ship hosting the festivities, stops blocking her at every turn. Just as Leo is about to give up hope, her long-lost love, Elliot, suddenly appears onboard three years after Leo’s family forced her to break off their engagement. Donne (Brightly Burning, 2018) returns to space, this time examining the fascinatingly twisted world of the rich and famous. Leo and her peers are nuanced, deeply felt, and diverse in terms of sexuality but not race, which may be a function of the realities of wealth and power. The plot is fast paced although somewhat uneven: Most of the action resolves in the last quarter of the book, which makes the resolutions to drawn-out conflicts feel rushed.

A thrilling romance that could use more even pacing. (Science fiction. 16-adult)

Pub Date: Feb. 4, 2020

ISBN: 978-1-328-94894-6

Page Count: 400

Publisher: HMH Books

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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An atmospheric and creepy page-turner.

I KILLED ZOE SPANOS

Seventeen-year-old Anna Cicconi finds herself in the middle of a mystery when she takes a summer nanny job in the swanky Hamptons enclave of Herron Hills.

Frick begins her story at the end. Well, sort of. August in the Hamptons signals the turning of the leaves and sees the grisly discovery of 19-year-old Zoe Spanos’ body. Zoe disappeared on New Year’s Eve, and Anna, who happens to strongly resemble her, has confessed to her murder. However, Martina Green, who runs the podcast Missing Zoe, doesn’t believe Anna did it and attempts to find out what really happened. Flash back to June: Hard-partying recent high school grad Anna sees her new job caring for Tom and Emilia Bellamy’s 8-year-old daughter as a fresh start. As one sun-drenched day melts into the next, Anna is drawn to Windemere, the neighboring Talbots’ looming, Gothic-style home, and to the brooding, mysterious Caden Talbot. But Anna can’t shake a feeling of déjà vu, and she’s having impossible memories that intertwine her life with Zoe’s. Frick easily juggles multiple narratives, and readers will enjoy connecting the dots of her cleverly plotted thriller inspired by Daphne du Maurier’s classic Rebecca. Anna and Zoe are white; the supporting cast includes biracial characters Martina (Latinx/white) and Caden (black/white). Caden discusses grappling with being raised by white adoptive parents, facing racialized suspicion as Zoe’s boyfriend, and feeling marginalized at Yale.

An atmospheric and creepy page-turner. (map) (Thriller. 14-adult)

Pub Date: June 30, 2020

ISBN: 978-1-5344-4970-1

Page Count: 384

Publisher: McElderry

Review Posted Online: March 11, 2020

Kirkus Reviews Issue: April 1, 2020

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