SUCH A PRINCE

Bar-el adds plenty of shtick to his retelling of a folk tale sometimes called “Three Perfect Peaches.” He gives over the narrator’s role to Libby Gaborchik, a fairy who prescribes three peaches to “cure” lovesick princess Vera, then helps young peasant lad Marvin to deliver the produce (unlike his hulking brothers Sheldon and Harvey), and to outsmart the king when he tries to torpedo the marriage by making Marvin responsible for a herd of rabbits. Playing clear homage to ’50s-style Disney cartoons, Manders’s comical illustrations pair a swain of Ichabod Crane–like skinniness and a red-haired princess with a tendency to leap about exuberantly—rather like the hordes of long-eared, pop-eyed white rabbits that bound all over the landscape, until they’re recalled by the magic whistle that Libby provides. In the end, the king surrenders, Vera sweeps Marvin off his feet and Libby closes with a small joke, because, “Laughing is good for your health. Trust me, I’m a fairy. I know these things.” A very funny rendition equally suited to reading or telling. Trust me. (Picture book/fairy tale. 6-9)

Pub Date: Oct. 15, 2007

ISBN: 978-0-618-71468-1

Page Count: 40

Publisher: Clarion Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2007

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HELLO, HARVEST MOON

As atmospheric as its companion, Twilight Comes Twice, this tone poem pairs poetically intense writing with luminescent oils featuring widely spaced houses, open lawns, and clumps of autumnal trees, all lit by a huge full moon. Fletcher tracks that moon’s nocturnal path in language rich in metaphor: “With silent slippers / it climbs the night stairs,” “staining earth and sky with a ghostly glow,” lighting up a child’s bedroom, the wings of a small plane, moonflowers, and, ranging further afield, harbor waves and the shells of turtle hatchlings on a beach. Using creamy brushwork and subtly muted colors, Kiesler depicts each landscape, each night creature from Luna moths to a sleepless child and her cat, as well as the great moon sweeping across star-flecked skies, from varied but never vertiginous angles. Closing with moonset, as dawn illuminates the world with a different kind of light, this makes peaceful reading either in season, or on any moonlit night. (Picture book. 6-8)

Pub Date: Sept. 22, 2003

ISBN: 0-618-16451-0

Page Count: 32

Publisher: Clarion Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2003

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BUBBA, THE COWBOY PRINCE

A FRACTURED TEXAS TALE

A Cinderella parody features the off-the-wall, whang-dang Texas hyperbole of Ketteman (The Year of No More Corn, 1993, etc.) and the insouciance of Warhola, who proves himself only too capable of creating a fairy godcow; that she's so appealingly whimsical makes it easy to accept the classic tale's inversions. The protagonist is Bubba, appropriately downtrodden and overworked by his wicked stepdaddy and loathsome brothers Dwayne and Milton, who spend their days bossing him around. The other half of the happy couple is Miz Lurleen, who owns ``the biggest spread west of the Brazos.'' She craves male companionship to help her work the place, ``and it wouldn't hurt if he was cute as a cow's ear, either.'' There are no surprises in this version except in the hilarious way the premise plays itself out and in Warhola's delightful visual surprises. When Lurleen tracks the bootless Bubba down, ``Dwayne and Milton and their wicked daddy threw chicken fits.'' Bubba and babe, hair as big as a Texas sun, ride off to a life of happy ranching, and readers will be proud to have been along for the courtship. (Picture book/folklore. 6-8)

Pub Date: Nov. 1, 1997

ISBN: 0-590-25506-1

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 1, 1997

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