ALBERT, THE DOG WHO LIKED TO RIDE IN TAXIS

In this urbane New York City tale, a small dog’s horizons expand when an impulsive hop into a taxi opens up a world of tempting new prospects. Leaving his comfortable Riverside Drive routine behind, Albert finds himself transported all over town, greeting doggy friends as he passes from cab to cab, receiving offers from various riders headed for destinations as far apart as California and the Kalahari. Zarin tells the tale in an offhand, tongue-in-cheek tone—“Bark, woof, aargh!” goes the dialogue during a canine melee—that nicely complements Pratt’s views of city streets, long, low-slung yellow cabs and a likewise low-slung dachshund on the move. Albert ends up at the airport, where he runs into one of his startled owners returning from a trip—but the sight of jet liners taking off for parts unknown stays with him on the ride back home. Albert may ride the same streets as the Barraccas’ Taxi Dog, but by the close it’s plain that his traveling’s only just begun. (Picture book. 7-9)

Pub Date: Feb. 1, 2004

ISBN: 0-689-84762-9

Page Count: 32

Publisher: Atheneum

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 1, 2004

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RED-EYED TREE FROG

Bishop’s spectacular photographs of the tiny red-eyed tree frog defeat an incidental text from Cowley (Singing Down the Rain, 1997, etc.). The frog, only two inches long, is enormous in this title; it appears along with other nocturnal residents of the rain forests of Central America, including the iguana, ant, katydid, caterpillar, and moth. In a final section, Cowley explains how small the frog is and aspects of its life cycle. The main text, however, is an afterthought to dramatic events in the photos, e.g., “But the red-eyed tree frog has been asleep all day. It wakes up hungry. What will it eat? Here is an iguana. Frogs do not eat iguanas.” Accompanying an astonishing photograph of the tree frog leaping away from a boa snake are three lines (“The snake flicks its tongue. It tastes frog in the air. Look out, frog!”) that neither advance nor complement the action. The layout employs pale and deep green pages and typeface, and large jewel-like photographs in which green and red dominate. The combination of such visually sophisticated pages and simplistic captions make this a top-heavy, unsatisfying title. (Picture book. 7-9)

Pub Date: March 1, 1999

ISBN: 0-590-87175-7

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 1, 1999

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TWENTY-ONE ELEPHANTS AND STILL STANDING

Strong rhythms and occasional full or partial rhymes give this account of P.T. Barnum’s 1884 elephant parade across the newly opened Brooklyn Bridge an incantatory tone. Catching a whiff of public concern about the new bridge’s sturdiness, Barnum seizes the moment: “’I will stage an event / that will calm every fear, erase every worry, / about that remarkable bridge. / My display will amuse, inform / and astound some. / Or else my name isn’t Barnum!’” Using a rich palette of glowing golds and browns, Roca imbues the pachyderms with a calm solidity, sending them ambling past equally solid-looking buildings and over a truly monumental bridge—which soars over a striped Big Top tent in the final scene. A stately rendition of the episode, less exuberant, but also less fictionalized, than Phil Bildner’s Twenty-One Elephants (2004), illustrated by LeUyen Pham. (author’s note, resource list) (Picture book. 7-9)

Pub Date: Sept. 26, 2005

ISBN: 0-618-44887-X

Page Count: 32

Publisher: Houghton Mifflin

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 2005

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