An engaging portrait of a fascinating woman.

HELEN KELLER

From the She Persisted series

This entry in the She Persisted series provides a detailed look at the life of Helen Keller.

Helen Keller was born in rural Alabama in 1880. After suffering a severe illness as a toddler, she lost both her sight and hearing, leaving her isolated and unable to communicate with those around her. Her parents secured help for her when she reached the age of 7. Anne Sullivan was sent from the Perkins School for the Blind in Massachusetts to attempt to educate Helen. Sullivan would remain Keller’s companion for decades, accompanying her as she campaigned around the world for individuals who were disabled. This short work features Flint’s cheerful black-and-white cartoonlike illustrations; unfortunately, they don’t always match tonally with moments depicting Keller’s early struggles. The few brief paragraphs per spread explain the major details of Keller’s life, provide some insight into the difficulties she faced, and highlight the impact she had on the world. Although print is large and there is plenty of white space, some of the vocabulary seems fairly sophisticated for those just transitioning to chapter books. Although Sheinmel’s efforts are necessarily constrained by the nature of early chapter books, this one largely succeeds, partly due to the exceptionally inspirational topic. The series will include 12 other female subjects. With the exception of two children on the cover, all characters in this book are depicted as White.

An engaging portrait of a fascinating woman. (references, online resources) (Biography. 6-10)

Pub Date: Dec. 7, 2021

ISBN: 978-0-593-11568-8

Page Count: 80

Publisher: Philomel

Review Posted Online: Oct. 13, 2021

Kirkus Reviews Issue: Nov. 1, 2021

Did you like this book?

No Comments Yet

A reasonably solid grounding in constitutional rights, their flexibility, lacunae, and hard-won corrections, despite a few...

WHAT'S THE BIG DEAL ABOUT FREEDOM

Shamir offers an investigation of the foundations of freedoms in the United States via its founding documents, as well as movements and individuals who had great impacts on shaping and reshaping those institutions.

The opening pages of this picture book get off to a wobbly start with comments such as “You know that feeling you get…when you see a wide open field that you can run through without worrying about traffic or cars? That’s freedom.” But as the book progresses, Shamir slowly steadies the craft toward that wide-open field of freedom. She notes the many obvious-to-us-now exclusivities that the founding political documents embodied—that the entitled, white, male authors did not extend freedom to enslaved African-Americans, Native Americans, and women—and encourages readers to learn to exercise vigilance and foresight. The gradual inclusion of these left-behind people paints a modestly rosy picture of their circumstances today, and the text seems to give up on explaining how Native Americans continue to be left behind. Still, a vital part of what makes freedom daunting is its constant motion, and that is ably expressed. Numerous boxed tidbits give substance to the bigger political picture. Who were the abolitionists and the suffragists, what were the Montgomery bus boycott and the “Uprising of 20,000”? Faulkner’s artwork conveys settings and emotions quite well, and his drawing of Ruby Bridges is about as darling as it gets. A helpful timeline and bibliography appear as endnotes.

A reasonably solid grounding in constitutional rights, their flexibility, lacunae, and hard-won corrections, despite a few misfires. (Informational picture book. 6-10)

Pub Date: May 2, 2017

ISBN: 978-0-399-54728-7

Page Count: 32

Publisher: Philomel

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

Did you like this book?

No Comments Yet

Blandly laudatory.

I AM WALT DISNEY

From the Ordinary People Change the World series

The iconic animator introduces young readers to each “happy place” in his life.

The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.

Blandly laudatory. (bibliography) (Picture book/biography. 6-8)

Pub Date: Sept. 10, 2019

ISBN: 978-0-7352-2875-7

Page Count: 40

Publisher: Dial Books

Review Posted Online: Aug. 18, 2019

Kirkus Reviews Issue: Sept. 1, 2019

Did you like this book?

more