A minor work by a major novelist, a busman’s holiday, but engaging in its color and character.

THE NOBLE HUSTLE

POKER, BEEF JERKY, AND DEATH

An assignment to compete in the World Series of Poker allows the author to meditate on his identity, failings, writing, appetite for beef jerky and challenge to make the leap from decent house player to high-stakes pro gambler.

As a novelist of considerable range, Whitehead consistently writes about more than he’s ostensibly writing about, turning a futuristic zombie novel (Zone One, 2010, etc.) into a parable of contemporary New York and here writing a poker book that should strike a responsive literary chord with some who know nothing about the game, though for those who want to read a poker book, much of this contextual elaboration might feel like padding. It begins with a definition of “anhedonia: the inability to experience pleasure,” preceding the first chapter, “The Republic of Anhedonia,” of which the author proclaims himself a citizen and representative. The first sentence: “I have a good poker face because I am half dead inside.” He also has an ex-wife, a young daughter, a weekly poker game and an assignment from Grantland to cover the World Series of Poker in Las Vegas as a participant. Even the assignment is something of a gamble—his freelance payment is the entrance fee, and whatever he wins (or, presumably generates in subsequent book royalties), he keeps. But if he loses, as odds are he will, he gets nothing but memories and experience for the article he must write. As he writes of warm-up sessions in Atlantic City, training with his “Coach,” competing with more experienced players in Vegas, he sometimes seems to be trying too hard—“Pick your fights like you pick your nose: with complete awareness of where you are”—while drawing parallels between poker and writing (“We were all making up stories, weaving narratives”). Since his narrative doesn’t proceed chronologically to a natural climax, he jumps around a bit with time.

A minor work by a major novelist, a busman’s holiday, but engaging in its color and character.

Pub Date: May 6, 2014

ISBN: 978-0-385-53705-6

Page Count: 256

Publisher: Doubleday

Review Posted Online: March 19, 2014

Kirkus Reviews Issue: April 1, 2014

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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