Vintage Cussler (Crescent Dawn, 2010, etc.), and just right for the armchair techie who likes his action nonstop and his...


In Cussler’s latest, this time with Brown co-authoring, an African dictator decides he gets no respect, and so woe betide the world.

Djemma Garand, head of state in Sierra Leone, has big plans for his small country, which he feels has been dissed quite as much as he himself has been. Minerals, precious metals and docile geopolitical behavior, historically that’s been the Sierra Leone pigeonhole. Garand has vowed to change all that: “He desired a legacy that would leave his people better off for all eternity.” Garand may be a borderline megalomaniac, but since he’s no fool he understands the difference between a dream and a scheme. To accomplish his grandiose goal, he knows he needs leverage, the kind inherent in a particularly fearsome weapon, for instance, an item his own scientific community has been unable to develop. As a consequence, an international super scientist finds himself snatched off a street in Geneva and forced to experiment at the point of a gun. Meanwhile, Kurt Austin and his NUMA (National Underwater Maritime Agency) colleagues have been bearing witness to some unsettling events. In the Atlantic, not far from the Azores, a Japanese cargo ship bursts into flames. Badly wounded and obviously helpless, it’s a rich, sitting duck of a prize, custom-tailored for the opportunistic predator. So, it’s hardly a surprise when a pirate speedboat hones in, but then it, too, suddenly self-destructs. Coincidence? No seasoned NUMA professional believes that for a moment, but at this point not even the astute Kurt Austin is in a position to perceive the manipulative hand of Garand at work. But when he is it will be almost too late to save the world. Almost.

Vintage Cussler (Crescent Dawn, 2010, etc.), and just right for the armchair techie who likes his action nonstop and his characters uncomplicated. Nuance-seekers look elsewhere.

Pub Date: Nov. 15, 2011

ISBN: 978-0-399-15782-0

Page Count: 480

Publisher: Putnam

Review Posted Online: Nov. 1, 2011

Kirkus Reviews Issue: Nov. 15, 2011

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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