A dystopian world that is all too real and that has much to say about our own.
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In an apocalyptic future Canada, Indigenous people have been forced to live on the run to avoid capture by the Recruiters, government military agents who kidnap Indians and confine them to facilities called “schools.”
Orphan Frenchie (Métis) is rescued from the Recruiters by Miigwans (Anishnaabe) along with a small band of other Indians from different nations, most young and each with a tragic story. Miigwans leads the group north to find others, holding on to the belief of safety in numbers. Five years later, Frenchie is now 16, and the bonded travelers have protected one another, strengthened by their loyalty and will to persevere as a people. They must stay forever on alert, just a breath away from capture by the Recruiters or by other Indians who act as their agents. Miigwans reveals that the government has been kidnapping Indians to extract their bone marrow, scientists believing that the key to restoring dreaming to white people is found within their DNA. Frenchie later learns that the truth is even more horrifying. The landscape of North America has been completely altered by climate change, rising oceans having eliminated coastlines and the Great Lakes having been destroyed by pollution and busted oil pipelines. Though the presence of the women in the story is downplayed, Miigwans is a true hero; in him Dimaline creates a character of tremendous emotional depth and tenderness, connecting readers with the complexity and compassion of Indigenous people.
A dystopian world that is all too real and that has much to say about our own. (Science fiction. 14-adult)Pub Date: Sept. 1, 2017
ISBN: 978-1-77086-486-3
Page Count: 180
Publisher: DCB
Review Posted Online: July 2, 2017
Kirkus Reviews Issue: July 15, 2017
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PROFILES
A slightly abridged graphic version of the classic that will drive off all but the artist’s most inveterate fans.
Admirers of the original should be warned away by veteran horror artist Bernie Wrightson’s introductory comments about Grimly’s “wonderfully sly stylization” and the “twinkle” in his artistic eye. Most general readers will founder on the ensuing floods of tiny faux handwritten script that fill the opening 10 pages of stage-setting correspondence (other lengthy letters throughout are presented in similarly hard-to-read typefaces). The few who reach Victor Frankenstein’s narrative will find it—lightly pruned and, in places, translated into sequences of largely wordless panels—in blocks of varied length interspersed amid sheaves of cramped illustrations with, overall, a sickly, greenish-yellow cast. The latter feature spidery, often skeletal figures that barrel over rough landscapes in rococo, steampunk-style vehicles when not assuming melodramatic poses. Though the rarely seen monster is a properly hard-to-resolve jumble of massive rage and lank hair, Dr. Frankenstein looks like a decayed Lyle Lovett with high cheekbones and an errant, outsized quiff. His doomed bride, Elizabeth, sports a white lock à la Elsa Lanchester, and decorative grotesqueries range from arrangements of bones and skull-faced flowers to bunnies and clownish caricatures.
Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s. (Graphic classic. 14 & up)Pub Date: Aug. 27, 2013
ISBN: 978-0-06-186297-7
Page Count: 208
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: July 3, 2013
Kirkus Reviews Issue: July 15, 2013
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Adolescent criminals seek the haul of a lifetime in a fantasyland at the beginning of its industrial age.
The dangerous city of Ketterdam is governed by the Merchant Council, but in reality, large sectors of the city are given over to gangs who run the gambling dens and brothels. The underworld's rising star is 17-year-old Kaz Brekker, known as Dirtyhands for his brutal amorality. Kaz walks with chronic pain from an old injury, but that doesn't stop him from utterly destroying any rivals. When a councilman offers him an unimaginable reward to rescue a kidnapped foreign chemist—30 million kruge!—Kaz knows just the team he needs to assemble. There's Inej, an itinerant acrobat captured by slavers and sold to a brothel, now a spy for Kaz; the Grisha Nina, with the magical ability to calm and heal; Matthias the zealot, hunter of Grishas and caught in a hopeless spiral of love and vengeance with Nina; Wylan, the privileged boy with an engineer's skills; and Jesper, a sharpshooter who keeps flirting with Wylan. Bardugo broadens the universe she created in the Grisha Trilogy, sending her protagonists around countries that resemble post-Renaissance northern Europe, where technology develops in concert with the magic that's both coveted and despised. It’s a highly successful venture, leaving enough open questions to cause readers to eagerly await Volume 2.
Cracking page-turner with a multiethnic band of misfits with differing sexual orientations who satisfyingly, believably jell into a family . (Fantasy. 14 & up)Pub Date: Sept. 29, 2015
ISBN: 978-1-62779-212-7
Page Count: 480
Publisher: Henry Holt
Review Posted Online: June 29, 2015
Kirkus Reviews Issue: July 15, 2015
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