A poignant exploration of depression, grief, and friendship.

MAYBE TOMORROW?

Cheerful green alligator Norris attempts to befriend Elba, a pink hippo burdened by a mysterious black block.

Norris may initially appear to be a suspiciously friendly predator, but, as evidenced by the cloud of butterflies that accompanies him everywhere, he is genuinely considerate. He finds Elba sitting on her block in the park and invites her on a picnic, then continues to check in with her after she declines. Elba is surprised when Norris joins her in sitting on her block, telling her he feels “something [sad] in there” and that “it wants to come out.” “Maybe tomorrow,” he says after they sit in silence each day. With Norris’ patient encouragement—observe his hopeful smile as they drink tea in the rain!—Elba soon agrees to visit the ocean with him, though she doubts she can make it that far with her block: “It’s too heavy….Right?” she asks, which he does not deny, instead responding, “My butterflies and I will help you.” As they slowly walk to the ocean, Elba finally opens up to Norris about the deep sadness her block represents. His empathetic response and its surprising result demonstrate the power of patience, listening, and simply showing up when loved ones are navigating difficult emotions. Ramírez’s illustrations, done in a combination of traditional and digital media, utilize bright, textured colors, simple rounded shapes, and subtle yet eloquent facial expressions to sweetly emphasize the characters’ emotional journey.

A poignant exploration of depression, grief, and friendship. (Picture book. 3-8)

Pub Date: March 26, 2019

ISBN: 978-1-338-21488-8

Page Count: 40

Publisher: Scholastic

Review Posted Online: Nov. 26, 2018

Kirkus Reviews Issue: Dec. 15, 2018

Did you like this book?

No Comments Yet

Safe to creep on by.

LOVE FROM THE VERY HUNGRY CATERPILLAR

Carle’s famous caterpillar expresses its love.

In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.

Safe to creep on by. (Picture book. 3-6)

Pub Date: Dec. 15, 2015

ISBN: 978-0-448-48932-2

Page Count: 32

Publisher: Grosset & Dunlap

Review Posted Online: Feb. 2, 2021

Did you like this book?

No Comments Yet

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

CLAYMATES

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

Did you like this book?

No Comments Yet
more