IMOGENE’S LAST STAND

Armed with gumption and grit, a young history maven takes on her town to prevent the historical society’s demolition. Imogene’s first words were: “Four score and seven years ago.” During her kindergarten show-and-tell, she gave lectures on women in history. After refurbishing the forgotten Liddleville Historical Society, Imogene discovers the Society is slated for destruction to make way for a shoelace factory. Announcing boldly “I have not yet begun to fight,” Imogene mounts an epic campaign to save the Society. She spouts quotes from historical figures, argues with the mayor, alerts the town in her Paul Revere costume, posts signs and drops flyers. But no one cares and the bulldozers approach—until she uncovers a letter from George Washington that changes everything. Fleming peppers the text with famous quotes that add a layer of historical depth to the story while Carpenter’s amusing, active and detailed pen-and-ink–and–digital-media illustrations follow determined, resolute, bespectacled Imogene through Liddleville as she campaigns to save her town’s heritage and makes a little history of her own. (historical notes) (Picture book. 4-8)

Pub Date: Oct. 13, 2009

ISBN: 978-0-375-83607-7

Page Count: 40

Publisher: Schwartz & Wade/Random

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 2009

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Action, clever humor, delightful illustrations and expectation-defying secret identities—when does the next one come out?

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THE PRINCESS IN BLACK

From the Princess in Black series , Vol. 1

Perfect Princess Magnolia has a secret—her alter ego is the Princess in Black, a superhero figure who protects the kingdom!

When nosy Duchess Wigtower unexpectedly drops by Princess Magnolia’s castle, Magnolia must protect her secret identity from the duchess’s prying. But then Magnolia’s monster alarm, a glitter-stone ring, goes off. She must save the day, leaving the duchess unattended in her castle. After a costume change, the Princess in Black joins her steed, Blacky (public identity: Frimplepants the unicorn), to protect Duff the goat boy and his goats from a shaggy, blue, goat-eating monster. When the monster refuses to see reason, Magnolia fights him, using special moves like the “Sparkle Slam” and the “Twinkle Twinkle Little Smash.” The rounded, cartoony illustrations featuring chubby characters keep the fight sequence soft and comical. Watching the fight, Duff notices suspicious similarities between the Princess in Black and Magnolia—quickly dismissed as “a silly idea”—much like the duchess’s dismissal of some discovered black stockings as being simply dirty, as “princesses don’t wear black.” The gently ironic text will amuse readers (including adults reading the book aloud). The large print and illustrations expand the book to a longish-yet-manageable length, giving newly independent readers a sense of accomplishment. The ending hints at another hero, the Goat Avenger.

Action, clever humor, delightful illustrations and expectation-defying secret identities—when does the next one come out? (Fantasy. 5-8)

Pub Date: Oct. 14, 2014

ISBN: 978-0-7636-6510-4

Page Count: 96

Publisher: Candlewick

Review Posted Online: July 29, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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MORE THAN ANYTHING ELSE

An inspiring story of young boy's compelling desire to read. As a boy of nine, Booker works in a salt mine from the dark of early morning to the gloom of night, hungry for a meal, but even hungrier to learn to read. Readers follow him on his quest in Malden, Virginia, where he finds inspiration in a man ``brown as me'' reading a newspaper on a street corner. An alphabet book helps, but Booker can't make the connection to words. Seeking out ``that brown face of hope'' once again, Booker gains a sense of the sounds represented by letters, and these become his deliverance. Bradby's fine first book is tautly written, with a poetic, spiritual quality in every line. The beautifully executed, luminous illustrations capture the atmosphere of an African-American community post-slavery: the drudgery of days consumed by back- breaking labor, the texture of private lives conducted by lantern- light. There is no other context or historical note about Booker T. Washington's life, leaving readers to piece together his identity. Regardless, this is an immensely satisfying, accomplished work, resonating first with longing and then with joy. (Picture book. 5- 8)

Pub Date: Sept. 1, 1995

ISBN: 0-531-09464-2

Page Count: 32

Publisher: Orchard

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 1995

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