Failing to keep his eye on the soccer ball, a player finds himself on an eventful chase to catch the runaway plaything.
Owen loves playing soccer, but he isn’t a star. One day, while sitting on the bench during a game, he takes his eye off the ball, and it escapes—almost literally, rolling away through a nearby hole in the fence. Determined to retrieve the ball, Owen chases it across a stream, tracks it into underbrush, and returns to the game—where he now handles the ball like a pro. The strategically placed minimalist text belies the breathtaking visual rendition of Owen’s quest to catch the rogue ball. Sprightly watercolor illustrations in loose, fluid brush strokes and calligraphic lines generate a dynamic energy relentlessly propelling Owen from page to page across double-page spreads. Pinkney shows light-skinned, African-American Owen battling tsunami-sized waves, submerged and tossed in swirling water amid an onomatopoeic “whooooosh.” Reaching the shore, Owen morphs into a bold tiger, bouncing and pouncing the ball through the brush to the cliff’s edge, where he suddenly sprouts wings and acrobatically dives and swoops to capture the ball. He returns triumphantly to the game as a “floating, fierce, and flying free” soccer player who always keeps his eye “ON THE BALL!”
An inspired, exhilarating portrait of the transforming power of imagination, with special appeal for aspiring soccer stars. (Picture book. 3-5)Pub Date: Sept. 1, 2015
ISBN: 978-1-4847-2329-6
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: June 29, 2015
Kirkus Reviews Issue: July 15, 2015
Categories: CHILDREN'S SOCIAL THEMES | CHILDREN'S ENTERTAINMENT & SPORTS
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Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 19, 2014
Kirkus Reviews Issue: June 1, 2014
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Children point out the things they love about their fathers.
“Daddy is always kind. He gives us support and shelter when things go wrong.” A child with a skinned knee (and downed ice cream cone) gets a bandage and loving pat from Daddy (no shelter is visible, but the child’s concerned sibling sweetly extends their own cone). Daddy’s a storyteller, a magician, supportive, loyal, silly, patient, and he knows everything. A die-cut hole pierces most pages, positioned so that the increasingly smaller holes to come can be seen through it; what it represents in each scene varies, and it does so with also-variable success. The bland, nonrhyming, inconsistent text does little to attract or keep attention, though the die cuts might (until they fall victim to curious fingers). The text also confusingly mixes first-person singular and plural, sometimes on the same page: “Daddy is like a gardener. He lovingly cares for us and watches us grow. I’m his pride and joy!” Even as the text mixes number the illustrations mix metaphors. This particular gardener daddy is pictured shampooing a child during bathtime. Más’ cartoon illustrations are sweet if murkily interpretive, affection clearly conveyed. Troublingly, though, each father and his child(ren) seem to share the same racial presentation and hair color (sometimes even hairstyle!), shutting out many different family constellations. Más does, however, portray several disabilities: children and adults wearing glasses, a child with a cochlear implant, and another using a wheelchair.
Skip this well-meaning but poorly executed celebration. (Picture book. 3-5)Pub Date: March 24, 2020
ISBN: 978-0-593-12305-8
Page Count: 32
Publisher: Rodale Kids
Review Posted Online: March 18, 2020
Kirkus Reviews Issue: April 1, 2020
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