Modern themes and old-fashioned values in a ghostly Nantucket wonder, with a twist.

OUT OF THE WILD NIGHT

Nantucket’s ghosts work alongside living islanders to face the challenge of development that guts old houses.

One year after a tragic boating accident, the ghost of Mary Chase, dead over 100 years, wakes in a windless, 21st-century November. She’s the new Town Crier, needed to warn others about the imminent destruction of her 18th-century house, one of many being “rehabilitated” for new, off-island owners. She watches the Old North Gang—Gabe Pinkham and Paul, Cyrus, and Maddie Coffin, all white island children of mostly English descent; biracial Phoebe Folger Antoine, whose mom is white and whose dad is Jamaican; and Dominican–Cape Verdean twins Maria and Markos Ramos—as they encounter ghosts from an earlier time and begin to work with them to thwart the developers through a string of “accidents.” And, at a crucial moment, when Phee’s house is threatened, once-quiet Mary finds her voice, screaming to wake the world. The author of such well-loved, intricately plotted mysteries as Chasing Vermeer (2004), Balliett outdoes herself here with this surprising story, set in a lovingly depicted present-day Nantucket and peopled with ordinary citizens who, like their predecessors, work with their hands. Phee and her grandfather have even started an organization to help homeless island workers. Mary’s first-person, present-tense account weaves in and out of an omniscient observation of the children’s actions as the line blurs between the living and the dead.

Modern themes and old-fashioned values in a ghostly Nantucket wonder, with a twist. (Fantasy. 9-13)

Pub Date: March 27, 2018

ISBN: 978-0-545-86756-6

Page Count: 320

Publisher: Scholastic

Review Posted Online: Nov. 22, 2017

Kirkus Reviews Issue: Dec. 15, 2017

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Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this...

HOLES

Sentenced to a brutal juvenile detention camp for a crime he didn't commit, a wimpy teenager turns four generations of bad family luck around in this sunburnt tale of courage, obsession, and buried treasure from Sachar (Wayside School Gets a Little Stranger, 1995, etc.).

Driven mad by the murder of her black beau, a schoolteacher turns on the once-friendly, verdant town of Green Lake, Texas, becomes feared bandit Kissin' Kate Barlow, and dies, laughing, without revealing where she buried her stash. A century of rainless years later, lake and town are memories—but, with the involuntary help of gangs of juvenile offenders, the last descendant of the last residents is still digging. Enter Stanley Yelnats IV, great-grandson of one of Kissin' Kate's victims and the latest to fall to the family curse of being in the wrong place at the wrong time; under the direction of The Warden, a woman with rattlesnake venom polish on her long nails, Stanley and each of his fellow inmates dig a hole a day in the rock-hard lake bed. Weeks of punishing labor later, Stanley digs up a clue, but is canny enough to conceal the information of which hole it came from. Through flashbacks, Sachar weaves a complex net of hidden relationships and well-timed revelations as he puts his slightly larger-than-life characters under a sun so punishing that readers will be reaching for water bottles.

Good Guys and Bad get just deserts in the end, and Stanley gets plenty of opportunities to display pluck and valor in this rugged, engrossing adventure. (Fiction. 9-13)

Pub Date: Sept. 1, 1998

ISBN: 978-0-374-33265-5

Page Count: 233

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 2000

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Moving and poetic.

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PAX

A motherless boy is forced to abandon his domesticated fox when his father decides to join soldiers in an approaching war.

Twelve-year-old Peter found his loyal companion, Pax, as an orphaned kit while still grieving his own mother’s death. Peter’s difficult and often harsh father said he could keep the fox “for now” but five years later insists the boy leave Pax by the road when he takes Peter to his grandfather’s house, hundreds of miles away. Peter’s journey back to Pax and Pax’s steadfastness in waiting for Peter’s return result in a tale of survival, intrinsic connection, and redemption. The battles between warring humans in the unnamed conflict remain remote, but the oncoming wave of deaths is seen through Pax’s eyes as woodland creatures are blown up by mines. While Pax learns to negotiate the complications of surviving in the wild and relating to other foxes, Peter breaks his foot and must learn to trust a seemingly eccentric woman named Vola who battles her own ghosts of war. Alternating chapters from the perspectives of boy and fox are perfectly paced and complementary. Only Peter, Pax, Vola, and three of Pax’s fox companions are named, conferring a spare, fablelike quality. Every moment in the graceful, fluid narrative is believable. Klassen’s cover art has a sense of contained, powerful stillness. (Interior illustrations not seen.)

Moving and poetic. (Animal fantasy. 9-13)

Pub Date: Feb. 2, 2016

ISBN: 978-0-06-237701-2

Page Count: 304

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Oct. 19, 2015

Kirkus Reviews Issue: Nov. 1, 2015

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