Swoonworthy wish fulfillment that checks all the right boxes.

HERE'S TO US

Former boyfriends’ “big Broadway love story” gets a revival in this sequel to What If It’s Us (2018).

Two years after their flash romance, Ben Alejo and Arthur Seuss (both now in college) couldn’t have drifted further apart. But destiny intervenes when Arthur lands his “ultimate top-tier pie-in-the-sky dream job” interning at a queer off-Broadway theater for the summer. Their long-anticipated reunion comes with a small catch: Both boys are basically taken. Ben met Mario in his college creative writing class, and, while they aren’t boyfriends, the connection—and attraction—is definitely there. Arthur’s officially dating Mikey, whose sweetness and steadiness saved him from remaining a “Ben-addled mess.” Cue the confusion—and inevitable broken hearts—as Ben and Arthur contend with their pasts and presents while trying to figure out their futures. Who will end up with whom? Albertalli’s and Silvera’s voices blend seamlessly, balancing the complexities of the boys’ situations with heartfelt (and heartwarming) nostalgia. As in the previous book, the narrative alternates between Ben’s and Arthur’s perspectives with off-the-charts wit and chemistry. Lovable side characters have grown and matured, while new characters expand the world to create an even stronger sense of community. Loose ends are tied up believably with an epilogue. Arthur is Jewish; Ben and Mario are Puerto Rican, and Mikey is White.

Swoonworthy wish fulfillment that checks all the right boxes. (Fiction. 14-18)

Pub Date: Dec. 28, 2021

ISBN: 978-0-06-307163-6

Page Count: 448

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: Oct. 13, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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Black is building a complex mythology; now is a great time to tune in.

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THE CRUEL PRINCE

From the Folk of the Air series , Vol. 1

Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 26, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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Aza would claim that opinions about this book are unfairly influenced by “the gut-brain informational cycle,” which makes it...

TURTLES ALL THE WAY DOWN

Nerdfighter Green’s latest takes readers through Indianapolis and the human biome.

Aza Holmes doesn’t feel like herself. But “if half the cells inside of you are not you, doesn’t that challenge the whole notion of me as a singular pronoun…?” When a local billionaire—and the father of her childhood friend, a white boy named Davis—disappears, Aza (who seems to be white) and her BFF, Daisy Ramirez (who is cued as Latina), plot to find him and claim the reward, amid rumors of corruption and an underexplored side plot about semi-immortal reptiles. The story revolves around anxious Aza’s dissociation from her body and life. Daisy chatters about Star Wars fan fiction (and calls Aza “Holmesy” ad nauseam), and Davis monologues about astronomy, while Aza obsesses over infection, the ever present, self-inflicted wound on her finger, and whether she’s “just a deeply flawed line of reasoning.” The thin but neatly constructed plot feels a bit like an excuse for Green to flex his philosophical muscles; teenagers questioning the mysteries of consciousness can identify with Aza, while others might wish that something—anything—really happens. The exploration of Aza’s life-threatening compulsions will resonate deeply with some, titillate others, and possibly trigger those in between.

Aza would claim that opinions about this book are unfairly influenced by “the gut-brain informational cycle,” which makes it hard to say what anyone else will think—but this is the new John Green; people will read this, or not, regardless of someone else’s gut flora. (Fiction. 14-18)

Pub Date: Oct. 10, 2017

ISBN: 978-0-525-55536-0

Page Count: 304

Publisher: Dutton

Review Posted Online: Oct. 10, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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