With masterful narrative control, Moser reveals the narrowness of perspective as well as the limitations of memory.

WE WERE BROTHERS

A MEMOIR

This boyhood memoir reveals much more than it ever explicitly states, with its tight focus on boyhood, brotherhood, estrangement, and reconciliation.

An art professor and National Book Award–winning illustrator (Alice’s Adventures in Wonderland, 2011), Moser writes that his older brother, Tommy, was actually the better artist of the two. He was also more troubled, though when Tommy gets the climactic chance to speak (or write) in his own words, a different perspective emerges. “Most of my memories of that time have the visual qualities of dreams: the images are slightly out of focus and dissolve at the edge,” writes the author. “The palette is muted and nearly void of color.” With a prose style that is precise, understated, and that rarely veers toward sentimentality, Moser describes coming of age in Chattanooga in an era permeated by racism and where any sign of oddness or weakness encouraged bullying. Both boys carried a “chip of inferiority”—the author was fat, dyslexic, and not athletic; his brother had developmental problems that kept him behind in school. With his brother as instigator (in the author’s memory), they fought so hard that the police once were summoned. Tommy dropped out of military school, remained an apparently unrepentant racist, and enjoyed more of a successful life than one might have expected. The author rejected the racism of his upbringing, studied theology, and became a preacher before he found renown as an artist (his illustrations highlight the chapters). Yet the narrative isn’t simply that black and white—their mother’s best, lifelong friend was black, and both boys enjoyed playing with a black friend—and a climactic exchange of letters suggests how deeply each brother had misjudged the other through their extended estrangement of adulthood. Before Tommy’s death, they enjoyed eight years of a brotherhood they had never known before, and the author describes the book as “an homage to him as well as a history of our burdened brotherhood.”

With masterful narrative control, Moser reveals the narrowness of perspective as well as the limitations of memory.

Pub Date: Oct. 20, 2015

ISBN: 978-1-61620-413-6

Page Count: 204

Publisher: Algonquin

Review Posted Online: June 3, 2015

Kirkus Reviews Issue: June 15, 2015

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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