BARRY MOSER’S PSALM 23

The main character in this fine interpretation of the beloved psalm is a modern-day shepherd boy from the Caribbean island of Antigua. Beneath the title words set in shiny blue type, the simple but striking cover shows the smiling boy protectively holding his charge, a lamb that appears throughout the volume. The shepherd boy’s care for the lamb cleverly echoes the words of the psalm as he provides food, water, shelter and protection from danger. Moser’s masterful watercolors evoke the tropical heat in sunny green pastures and the welcome cool of shadows falling on sleeping sheep. His thoughtful illustration of the valley of the shadow of death shows two lost sheep at the bottom of a dark chasm. Sharp-eyed readers will note mysteriously malevolent eyes peering out from crevices, with a single yellow butterfly providing a glimpse of hope. Though his conceptualization of the psalm is simple in nature, the overall effect is powerful, concluding with a spread of misty purple skies and sea behind one white dove taking flight. An introductory artist’s note explains Moser’s connection to the Antiguan setting and his interpretation of the psalm’s text. (publisher’s note) (Picture book/nonfiction. 4-8)

Pub Date: March 1, 2008

ISBN: 978-0-310-71085-1

Page Count: 32

Publisher: Zonderkidz

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 15, 2008

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Younger audiences may be mostly interested in the bonking and stinky parts, but the rudiments are at least in place for...

LIFT-THE-FLAP BIBLE STORIES FOR YOUNG CHILDREN

Ten tales from the Old and New Testaments, with plot points and lessons hidden beneath large, shaped flaps.

Higgins depicts Jesus as a bit larger than those around him but otherwise draws him and the rest of the cast—including angels—with similar-looking round heads, wide-open eyes, slightly crooked beards (on the men), and dark brown or olive skin. Cycling arbitrarily among various tenses, the abbreviated, sanitized, and informally retold episodes begin in “a garden” with the tree, most of Adam and Eve, and the “tricky serpent” who “will trick them” initially hidden beneath die-cut flaps. Lifting the largest reveals the disobedient first couple sporting flashy animal-skin togs and text that promises that “God had a plan to save people from sin.” After Noah boards the “crowded, noisy, and stinky” ark, Moses leads the escape from plague-ridden Egypt (“Frogs and locusts! Yucky sores and flies!”), and “David bonks Goliath.” God’s promise eventually bears fruit with the birth and select miracles of Jesus. In the climactic scene, three distant crosses hide beneath a flap that depicts Jerusalem, while behind a tomb in the foreground an angel literally fizzes with fireworks. Beneath a bush readers see Mary (Magdalen) weeping until the risen Jesus (beneath another bush) gives her a hug: “Go tell the disciples that I am alive!”

Younger audiences may be mostly interested in the bonking and stinky parts, but the rudiments are at least in place for homiletic discussion. (Novelty/religion. 4-6)

Pub Date: Sept. 4, 2018

ISBN: 978-1-5064-4684-4

Page Count: 16

Publisher: Beaming Books

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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Though the rhyme tumbles and at times bumbles, enticing imagery will lure readers in.

GOD SPEAKS IN WHISPERS

Rhyming text and colorful multicultural illustrations reassure young readers of God’s omnipresence and still small voice.

“Where in the world is God’s voice found?” Perhaps in ocean waves, bird song, or mountain vistas, suggest the couplet rhymes. Even when readers might be faced with difficult emotions and distractions of all kinds, the text reassures them that God is still there and still speaking, if only one pauses to listen. His voice can be found in nature, in starlight, in the love of family and friends, in dreams, and “through His Word.” Admirably, the bright illustrations, reminiscent of mid-20th-century Disney artist Mary Blair’s stylings, depict children and families with a diverse array of skin tones and ages. There is also a refreshing mix of urban, suburban, and rural settings. Yet, despite the appealing illustrations, the rhymes and scansion are often forced (“your feelings, they matter, / even if they’re all mixed up like / pancake batter”), which detracts from the overall message. Contrived couplets notwithstanding, this title will likely find an audience among Christian households seeking reassuring bedtime reads.

Though the rhyme tumbles and at times bumbles, enticing imagery will lure readers in. (Picture book. 4-6)

Pub Date: Sept. 8, 2020

ISBN: 978-0-525-65385-1

Page Count: 40

Publisher: WaterBrook

Review Posted Online: June 30, 2020

Kirkus Reviews Issue: July 15, 2020

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