NOTHING BUT THE TRUTH

Ninth-grader Philip has never been in trouble, but he's upset because his English grade is keeping him off the track team. Meanwhile, though the rule is "respectful, silent attention," he hums along with the daily playing of the national anthem—a habit ignored by his jocular homeroom teacher. Then he's moved to the homeroom of Miss Narwin, his English teacher—well-liked because she's fair but rigid, humorless, and out of touch with modern kids. When she tries to enforce the silence rule, Philip responds with offhand rudeness borne of his distress about track plus his chronic tongue-tied style; the ensuing confrontation escalates into a two-day suspension followed by national media attention based on the erroneous belief that Philip has been denied the right to express his patriotism. Skillfully composing his story from school memos, news clips, dialogues, and Philip's diary, Avi shows how well-meaning people can generate misinformation through a combination of interrupting or simply not listening, shaping facts to suit their own goals, letting preconceptions muddy thought, or just lacking the will and the skill to get things straight. The garbled conversations here are all too believable; only one reporter makes an intelligent effort to find out what really happened, and his story is never printed. Nobody wins: Philip transfers to a school that doesn't have track, and Miss Narwin is forced to take leave. Wryly satirical: nothing but the deplorable truth about our increasingly inarticulate, media-driven society. (Fiction. 11+)

Pub Date: Oct. 1, 1991

ISBN: 0-531-05959-6

Page Count: 180

Publisher: Orchard

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 1, 1991

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Engrossing, contemplative, and as heart-wrenching as the title promises.

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THEY BOTH DIE AT THE END

What would you do with one day left to live?

In an alternate present, a company named Death-Cast calls Deckers—people who will die within the coming day—to inform them of their impending deaths, though not how they will happen. The End Day call comes for two teenagers living in New York City: Puerto Rican Mateo and bisexual Cuban-American foster kid Rufus. Rufus needs company after a violent act puts cops on his tail and lands his friends in jail; Mateo wants someone to push him past his comfort zone after a lifetime of playing it safe. The two meet through Last Friend, an app that connects lonely Deckers (one of many ways in which Death-Cast influences social media). Mateo and Rufus set out to seize the day together in their final hours, during which their deepening friendship blossoms into something more. Present-tense chapters, short and time-stamped, primarily feature the protagonists’ distinctive first-person narrations. Fleeting third-person chapters give windows into the lives of other characters they encounter, underscoring how even a tiny action can change the course of someone else’s life. It’s another standout from Silvera (History Is All You Left Me, 2017, etc.), who here grapples gracefully with heavy questions about death and the meaning of a life well-lived.

Engrossing, contemplative, and as heart-wrenching as the title promises. (Speculative fiction. 13-adult).

Pub Date: Sept. 5, 2017

ISBN: 978-0-06-245779-0

Page Count: 384

Publisher: HarperTeen

Review Posted Online: June 5, 2017

Kirkus Reviews Issue: June 15, 2017

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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