Conservation biologist Rao introduces 20 “environmental defenders” who are Black, Indigenous, and people of color, inspiring young readers and environmentalists.
When Rao entered the environmental field decades ago, she didn’t encounter many people who looked like her. But, she writes, “my culture and my passion for the earth are linked,” and she shows how that is the case for the defenders she interviewed for this book. Indonesian Muslim urban designer Nana Firman had limited results talking about “sustainability” and “conservation” with communities; when she identified Islamic foundations for stewardship, she found language that connected people to the cause. Oakland native Rue Mapp founded Outdoor Afro to connect African Americans to nature by holding space for the histories of injustice and exclusion Black Americans have experienced in outdoor spaces and using a social justice lens to create safe and welcoming outdoor experiences. These environmental defenders hail from all over the world and vary greatly in ethnicity, culture, age, and religious background. The ways in which they protect the Earth vary too, but their messages echo each other with hope in what can happen when people come together and make small changes that add up. Each short biography, enhanced by attractive color photographs and engaging sidebars, also illustrates how the defenders came to their chosen paths—thought-provoking reading for young people figuring out their own contributions.
This valuable compilation shows that Earth’s salvation lies in the diversity of its people. (glossary, resources, index) (Nonfiction. 12-18)Pub Date: April 7, 2020
ISBN: 978-1-4598-1886-6
Page Count: 208
Publisher: Orca
Review Posted Online: Jan. 7, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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PERSPECTIVES
PERSPECTIVES
Deaf, trans artist Man meditates on his journey and identity in this brief memoir.
Growing up in conservative central Pennsylvania was tough for the 21-year-old Deaf, genderqueer, pansexual, and biracial (Chinese/White Jewish) author. He describes his gender and sexual identity, his experiences of racism and ableism, and his desire to use his visibility as a YouTube personality, model, and actor to help other young people like him. He is open and vulnerable throughout, even choosing to reveal his birth name. Man shares his experiences of becoming deaf as a small child and at times feeling ostracized from the Deaf community but not how he arrived at his current Deaf identity. His description of his gender-identity development occasionally slips into a well-worn pink-and-blue binary. The text is accompanied and transcended by the author’s own intriguing, expressionistic line drawings. However, Man ultimately falls short of truly insightful reflection or analysis, offering a mostly surface-level account of his life that will likely not be compelling to readers who are not already fans. While his visibility and success as someone whose life represents multiple marginalized identities are valuable in themselves, this heartfelt personal chronicle would have benefited from deeper introspection.
Best enjoyed by preexisting fans of the author. (Memoir. 12-18)Pub Date: June 1, 2021
ISBN: 978-0-593-22348-2
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 25, 2021
Kirkus Reviews Issue: April 15, 2021
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Curator, author, and activist Drew shares her journey as an artist and the lessons she has learned along the way.
Drew uses her own story to show how deeply intertwined activism and the arts can be. Her choices in college were largely overshadowed by financial need, but a paid summer internship at the Studio Museum in Harlem became a formative experience that led her to major in art history. The black artists who got her interested in the field were conspicuously absent in the college curriculum, however, as was faculty support, so she turned her frustration into action by starting her own blog to boost the work of black artists. After college, Drew’s work in several arts organizations, including the Metropolitan Museum of Art in New York City, only deepened her commitment to making the art world more accessible to people of color and other marginalized groups, such as people with disabilities, and widening the scope of who is welcomed there. Drew narrates deeply personal experiences of frustration, triumph, progress, learning, and sometimes-uncomfortable growth in a conversational tone that draws readers in, showing how her specific lens enabled her to accomplish the work she has done but ultimately inviting readers to add their own contributions, however small, to both art and protest.
This deeply personal and boldly political offering inspires and ignites. (Nonfiction. 12-18)Pub Date: June 2, 2020
ISBN: 978-0-593-09518-8
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 29, 2020
Kirkus Reviews Issue: April 15, 2020
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