Dozens upon dozens of seminal fantasy stories, some well-known and others delightfully rescued from obscurity.

THE BIG BOOK OF CLASSIC FANTASY

The VanderMeers follow up The Big Book of Science Fiction (2016) with this counterpart anthology focusing on “classic” fantasy.

Ninety stories are selected to represent the roots of genre fantasy, from the 1800s to World War II. Familiar names such as J.R.R. Tolkien, Lord Dunsany, Robert E. Howard, and E. Nesbit are present, but so are authors not primarily remembered in literature as fantasists—Franz Kafka, Vladimir Nabokov, Herman Melville, Willa Cather, Zora Neale Hurston, W.E.B. Du Bois, and others. As in the SF anthology, stories never before translated into English have been included, such as Aleksandr Grin's “The Ratcatcher,” Der Nister's “At the Border,” and others. That said, the majority of the stories come from Europe or America—the few contributions from other parts of the world seem more a dash of seasoning to avoid homogeneity than indicative of a truly diverse spread. Some stories are more recognizable as fantasy to the modern reader, some less so (Paul Scheerbart's “Dance of the Comets” barely reads as a narrative; Melville's “The Tartarus of the Maids” contains nothing fantastical that could not be read as the narrator's own pitying-but-skewed perceptions; and Nikolai Gogol's “The Nose” is a cynical fable more absurdist than fantastic). Highlights include the wry observational humor of Stella Benson's “Magic Comes to a Committee,” the meticulous creepiness of Edogawa Ranpo's “The Man Traveling With the Brocade Portrait,” and G.K. Chesterton's unsettling “The Angry Street: A Bad Dream.” Like its SF counterpart, this dense and exhaustive collection would serve as an admirable survey course for the genre—though some stories feel included out of just such a didactic sensibility.

Dozens upon dozens of seminal fantasy stories, some well-known and others delightfully rescued from obscurity.

Pub Date: July 2, 2019

ISBN: 978-0-525-43556-3

Page Count: 848

Publisher: Vintage

Review Posted Online: May 2, 2019

Kirkus Reviews Issue: May 15, 2019

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Suspenseful and snarky with surprising emotional depths.

GIDEON THE NINTH

From the Locked Tomb Trilogy series , Vol. 1

This debut novel, the first of a projected trilogy, blends science fiction, fantasy, gothic chiller, and classic house-party mystery.

Gideon Nav, a foundling of mysterious antecedents, was not so much adopted as indentured by the Ninth House, a nearly extinct noble necromantic house. Trained to fight, she wants nothing more than to leave the place where everyone despises her and join the Cohort, the imperial military. But after her most recent escape attempt fails, she finally gets the opportunity to depart the planet. The heir and secret ruler of the Ninth House, the ruthless and prodigiously talented bone adept Harrowhark Nonagesimus, chooses Gideon to serve her as cavalier primary, a sworn bodyguard and aide de camp, when the undying Emperor summons Harrow to compete for a position as a Lyctor, an elite, near-immortal adviser. The decaying Canaan House on the planet of the absent Emperor holds dark secrets and deadly puzzles as well as a cheerfully enigmatic priest who provides only scant details about the nature of the competition...and at least one person dedicated to brutally slaughtering the competitors. Unsure of how to mix with the necromancers and cavaliers from the other Houses, Gideon must decide whom among them she can trust—and her doubts include her own necromancer, Harrow, whom she’s loathed since childhood. This intriguing genre stew works surprisingly well. The limited locations and narrow focus mean that the author doesn’t really have to explain how people not directly attached to a necromantic House or the military actually conduct daily life in the Empire; hopefully future installments will open up the author’s creative universe a bit more. The most interesting aspect of the novel turns out to be the prickly but intimate relationship between Gideon and Harrow, bound together by what appears at first to be simple hatred. But the challenges of Canaan House expose other layers, beginning with a peculiar but compelling mutual loyalty and continuing on to other, more complex feelings, ties, and shared fraught experiences.

Suspenseful and snarky with surprising emotional depths.

Pub Date: Sept. 10, 2019

ISBN: 978-1-250-31319-5

Page Count: 448

Publisher: Tor

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: July 15, 2019

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A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

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THE PRIORY OF THE ORANGE TREE

After 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame.

No, the Nameless One is not a new nickname for Voldemort. Here, evil takes the shape of fire-breathing dragons—beasts that feed off chaos and imbalance—set on destroying humankind. The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. These events brought about the current order: Virtudom, the kingdom set up by Berethnet, is a pious society that considers all dragons evil. In the East, dragons are worshiped as gods—but not the fire-breathing type. These dragons channel the power of water and are said to be born of stars. They forge a connection with humans by taking riders. In the South, an entirely different way of thinking exists. There, a society of female mages called the Priory worships the Mother. They don’t believe that the Berethnet line, continued by generations of queens, is the sacred key to keeping the Nameless One at bay. This means he could return—and soon. “Do you not see? It is a cycle.” The one thing uniting all corners of the world is fear. Representatives of each belief system—Queen Sabran the Ninth of Virtudom, hopeful dragon rider Tané of the East, and Ead Duryan, mage of the Priory from the South—are linked by the common goal of keeping the Nameless One trapped at any cost. This world of female warriors and leaders feels natural, and while there is a “chosen one” aspect to the tale, it’s far from the main point. Shannon’s depth of imagination and worldbuilding are impressive, as this 800-pager is filled not only with legend, but also with satisfying twists that turn legend on its head. Shannon isn’t new to this game of complex storytelling. Her Bone Season novels (The Song Rising, 2017, etc.) navigate a multilayered society of clairvoyants. Here, Shannon chooses a more traditional view of magic, where light fights against dark, earth against sky, and fire against water. Through these classic pairings, an entirely fresh and addicting tale is born. Shannon may favor detailed explication over keeping a steady pace, but the epic converging of plotlines at the end is enough to forgive.

A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.

Pub Date: Feb. 26, 2019

ISBN: 978-1-63557-029-8

Page Count: 848

Publisher: Bloomsbury

Review Posted Online: Dec. 23, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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