This story is necessary. This story is important.
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Sixteen-year-old Starr Carter is a black girl and an expert at navigating the two worlds she exists in: one at Garden Heights, her black neighborhood, and the other at Williamson Prep, her suburban, mostly white high school.
Walking the line between the two becomes immensely harder when Starr is present at the fatal shooting of her childhood best friend, Khalil, by a white police officer. Khalil was unarmed. Khalil’s death becomes national news, where he’s called a thug and possible drug dealer and gangbanger. His death becomes justified in the eyes of many, including one of Starr’s best friends at school. The police’s lackadaisical attitude sparks anger and then protests in the community, turning it into a war zone. Questions remain about what happened in the moments leading to Khalil’s death, and the only witness is Starr, who must now decide what to say or do, if anything. Thomas cuts to the heart of the matter for Starr and for so many like her, laying bare the systemic racism that undergirds her world, and she does so honestly and inescapably, balancing heartbreak and humor. With smooth but powerful prose delivered in Starr’s natural, emphatic voice, finely nuanced characters, and intricate and realistic relationship dynamics, this novel will have readers rooting for Starr and opening their hearts to her friends and family.
This story is necessary. This story is important. (Fiction. 14-adult)Pub Date: Feb. 28, 2017
ISBN: 978-0-06-249853-3
Page Count: 464
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Dec. 6, 2016
Kirkus Reviews Issue: Dec. 15, 2016
Categories: TEENS & YOUNG ADULT FICTION | TEENS & YOUNG ADULT SOCIAL THEMES
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SEEN & HEARD
SEEN & HEARD
A slightly abridged graphic version of the classic that will drive off all but the artist’s most inveterate fans.
Admirers of the original should be warned away by veteran horror artist Bernie Wrightson’s introductory comments about Grimly’s “wonderfully sly stylization” and the “twinkle” in his artistic eye. Most general readers will founder on the ensuing floods of tiny faux handwritten script that fill the opening 10 pages of stage-setting correspondence (other lengthy letters throughout are presented in similarly hard-to-read typefaces). The few who reach Victor Frankenstein’s narrative will find it—lightly pruned and, in places, translated into sequences of largely wordless panels—in blocks of varied length interspersed amid sheaves of cramped illustrations with, overall, a sickly, greenish-yellow cast. The latter feature spidery, often skeletal figures that barrel over rough landscapes in rococo, steampunk-style vehicles when not assuming melodramatic poses. Though the rarely seen monster is a properly hard-to-resolve jumble of massive rage and lank hair, Dr. Frankenstein looks like a decayed Lyle Lovett with high cheekbones and an errant, outsized quiff. His doomed bride, Elizabeth, sports a white lock à la Elsa Lanchester, and decorative grotesqueries range from arrangements of bones and skull-faced flowers to bunnies and clownish caricatures.
Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s. (Graphic classic. 14 & up)Pub Date: Aug. 27, 2013
ISBN: 978-0-06-186297-7
Page Count: 208
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: July 3, 2013
Kirkus Reviews Issue: July 15, 2013
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A princess embarks on a dangerous path to the throne.
In the island kingdom of Visidia, where each person is allowed just one type of magic, only the members of the royal Montara family have the ability to wield the dangerous soul magic. Princess Amora is next in line to be High Animancer, but she must first prove to her people that she is powerful enough to use her magic to protect them. But something goes terribly wrong during a critical public ceremony, and Amora runs away with dashing pirate Bastian, whose rescue comes with a price: She must help him recover his own magic, stolen away by a dangerous man leading a growing rebellion that could bring down the whole kingdom. Debut author Grace wields her own magic with a skillful balancing act between high-stakes adventure (here there be monsters, mermaids, and high-seas shenanigans), bloody fantasy, and character development in a story with a lovable found family at its core. Amora yearns for adventure just as she welcomes her right to command her kingdom; her ferocious sense of duty and legitimate need to do good shine through. The novel’s further unravelling of dark secrets long kept comes with a recognized need for accountability and making amends which adds a thoughtful extra layer to the rich worldbuilding. Amora has copper-brown skin and dark, curly hair; other characters have a range of skin tones in this diverse world.
An accomplished, exciting debut. (guide to the kingdom) (Fantasy. 14-adult)Pub Date: Feb. 4, 2020
ISBN: 978-1-250-30778-1
Page Count: 384
Publisher: Imprint
Review Posted Online: Nov. 19, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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