FOLKS CALL ME APPLESEED JOHN

From Glass (Charles T. McBiddle, 1993, etc.), an amalgam of traditional stories about Johnny ``Appleseed'' Chapman, a charismatic figure with a real way with words. In a first-person narration, Johnny relates howupon the occasion of his half-brother Nathaniel's visithe had to canoe to Fort Pitt for provisions, but accidently floated past his destination and had to make his way back through snowy woods. His adventures with animals and Native Americans are fun enough, but even more entertaining is the way they're told, with a real old-time, storytelling flair, full of ten-dollar words, fancy figures of speech, and philosophical asides, all comically cobbled together. The same style is beautifully carried over into the rough but sturdy oil illustrationsGlass's most mature work yetin which messy marks and sloppy patches of color become well-defined figures by means of rigid outlines. The pictures depict large, sympathetic characters who cotton to clumsy postures; Johnny looks like an overgrown adolescent with bit feet, long fingers, and a face that expresses sheer good will. A detailed biography follows the story. Charming book, charming hero. (Picture book/folklore. 6-10)

Pub Date: Aug. 1, 1995

ISBN: 0-385-32045-0

Page Count: 48

Publisher: Doubleday

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: June 15, 1995

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HELLO, HARVEST MOON

As atmospheric as its companion, Twilight Comes Twice, this tone poem pairs poetically intense writing with luminescent oils featuring widely spaced houses, open lawns, and clumps of autumnal trees, all lit by a huge full moon. Fletcher tracks that moon’s nocturnal path in language rich in metaphor: “With silent slippers / it climbs the night stairs,” “staining earth and sky with a ghostly glow,” lighting up a child’s bedroom, the wings of a small plane, moonflowers, and, ranging further afield, harbor waves and the shells of turtle hatchlings on a beach. Using creamy brushwork and subtly muted colors, Kiesler depicts each landscape, each night creature from Luna moths to a sleepless child and her cat, as well as the great moon sweeping across star-flecked skies, from varied but never vertiginous angles. Closing with moonset, as dawn illuminates the world with a different kind of light, this makes peaceful reading either in season, or on any moonlit night. (Picture book. 6-8)

Pub Date: Sept. 22, 2003

ISBN: 0-618-16451-0

Page Count: 32

Publisher: Clarion Books

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2003

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BUBBA, THE COWBOY PRINCE

A FRACTURED TEXAS TALE

A Cinderella parody features the off-the-wall, whang-dang Texas hyperbole of Ketteman (The Year of No More Corn, 1993, etc.) and the insouciance of Warhola, who proves himself only too capable of creating a fairy godcow; that she's so appealingly whimsical makes it easy to accept the classic tale's inversions. The protagonist is Bubba, appropriately downtrodden and overworked by his wicked stepdaddy and loathsome brothers Dwayne and Milton, who spend their days bossing him around. The other half of the happy couple is Miz Lurleen, who owns ``the biggest spread west of the Brazos.'' She craves male companionship to help her work the place, ``and it wouldn't hurt if he was cute as a cow's ear, either.'' There are no surprises in this version except in the hilarious way the premise plays itself out and in Warhola's delightful visual surprises. When Lurleen tracks the bootless Bubba down, ``Dwayne and Milton and their wicked daddy threw chicken fits.'' Bubba and babe, hair as big as a Texas sun, ride off to a life of happy ranching, and readers will be proud to have been along for the courtship. (Picture book/folklore. 6-8)

Pub Date: Nov. 1, 1997

ISBN: 0-590-25506-1

Page Count: 32

Publisher: Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 1, 1997

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