Overall, an elegant, ambitious effort.

CATCHING KISSES

Graphic art using bold shapes and colorful silhouettes makes an admirable attempt to illustrate a kiss and show the many places throughout the United States that kisses can come from and travel to in this ephemeral title.

Gibson’s prose dances along the pages, encouraging readers to imagine the smells, sounds, textures and trajectories of kisses: “At any given moment, someone, somewhere, is blowing a kiss. / And somewhere, someone is catching it.” Van Lieshout does her best to create spreads that provide a visual context for the rather abstract concepts introduced in the text. Although a blown kiss is invisible, readers see airborne dandelion fluff in various sizes and colors float across each page, zigzagging through New York City traffic or, oddly, swirling by two affectionate deer in a wintry scene. Only some children but most adults will recognize the landmarks portrayed, including Times Square, Washington, D.C., St. Louis and New Orleans. A map at the end of the book helpfully shows the cities featured. This title can be used as a springboard for discussion about visualizing things that are quite real but unseen. While younger readers may balk at thinking of a kiss as something that can be hidden in a pocket or tucked in a book, most can relate to kisses that “SMACK! like bubblegum” or “whisper like butterflies.”

Overall, an elegant, ambitious effort. (Picture book. 4-8)

Pub Date: Dec. 31, 2013

ISBN: 978-0-312-37647-5

Page Count: 40

Publisher: Feiwel & Friends

Review Posted Online: Sept. 18, 2013

Kirkus Reviews Issue: Oct. 1, 2013

Did you like this book?

No Comments Yet

Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his...

GRUMPY MONKEY

It’s a wonderful day in the jungle, so why’s Jim Panzee so grumpy?

When Jim woke up, nothing was right: "The sun was too bright, the sky was too blue, and bananas were too sweet." Norman the gorilla asks Jim why he’s so grumpy, and Jim insists he’s not. They meet Marabou, to whom Norman confides that Jim’s grumpy. When Jim denies it again, Marabou points out that Jim’s shoulders are hunched; Jim stands up. When they meet Lemur, Lemur points out Jim’s bunchy eyebrows; Jim unbunches them. When he trips over Snake, Snake points out Jim’s frown…so Jim puts on a grimacelike smile. Everyone has suggestions to brighten his mood: dancing, singing, swinging, swimming…but Jim doesn’t feel like any of that. He gets so fed up, he yells at his animal friends and stomps off…then he feels sad about yelling. He and Norman (who regrets dancing with that porcupine) finally just have a sit and decide it’s a wonderful day to be grumpy—which, of course, makes them both feel a little better. Suzanne Lang’s encouragement to sit with your emotions (thus allowing them to pass) is nearly Buddhist in its take, and it will be great bibliotherapy for the crabby, cranky, and cross. Oscar-nominated animator Max Lang’s cartoony illustrations lighten the mood without making light of Jim’s mood; Jim has comically long arms, and his facial expressions are quite funny.

Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his journey. (Picture book. 4-8)

Pub Date: May 15, 2018

ISBN: 978-0-553-53786-4

Page Count: 32

Publisher: Random House

Review Posted Online: Feb. 19, 2018

Kirkus Reviews Issue: March 1, 2018

Did you like this book?

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

CLAYMATES

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

Did you like this book?

more