CLARA BUTTON AND THE MAGICAL HAT DAY

What begins as a simple story about a girl trying to restore her grandmother's torn hat becomes an unexpectedly detailed look at fashion treasures from a famous British museum.

Clara Button, who wears colorful buttons that change with a tap, loves to design hats as much as her late grandmother, who was a milliner, did. When one of her grandmother's hats is torn by a bratty brother, Clara is distraught. But amid the collections at London’s Victoria and Albert Museum, she gets help for her hat and finds many other lovely objects from its extensive collections. The story is meticulously illustrated, with so much detail that many subtle touches (a child waving in a background photo, for instance) are nearly lost, even on an iPad's high-resolution screen. While interactive elements and animations are present throughout—readers can touch the screen at any time to get a splash of multicolored buttons—they don't distract from Clara's quest or what she finds at the V&A. The real-world art objects, expertly woven into Clara's visit, end up filling an exquisite final page. The app's cultural pedigree shouldn't be surprising, as de la Haye is a dress historian and former curator at the V&A. The rest of the app's features, from its no-nonsense narration to its musical accompaniment, are top-notch. Not every reader will share Clara's strong affinity for fashion, but there's no denying the beauty of the showcased. (iPad storybook app. 4-12) 

 

Pub Date: July 26, 2012

ISBN: N/A

Page Count: -

Publisher: MAPP Editions

Review Posted Online: Aug. 27, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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ABIYOYO RETURNS

The seemingly ageless Seeger brings back his renowned giant for another go in a tuneful tale that, like the art, is a bit sketchy, but chockful of worthy messages. Faced with yearly floods and droughts since they’ve cut down all their trees, the townsfolk decide to build a dam—but the project is stymied by a boulder that is too huge to move. Call on Abiyoyo, suggests the granddaughter of the man with the magic wand, then just “Zoop Zoop” him away again. But the rock that Abiyoyo obligingly flings aside smashes the wand. How to avoid Abiyoyo’s destruction now? Sing the monster to sleep, then make it a peaceful, tree-planting member of the community, of course. Seeger sums it up in a postscript: “every community must learn to manage its giants.” Hays, who illustrated the original (1986), creates colorful, if unfinished-looking, scenes featuring a notably multicultural human cast and a towering Cubist fantasy of a giant. The song, based on a Xhosa lullaby, still has that hard-to-resist sing-along potential, and the themes of waging peace, collective action, and the benefits of sound ecological practices are presented in ways that children will both appreciate and enjoy. (Picture book. 5-9)

Pub Date: Oct. 1, 2001

ISBN: 0-689-83271-0

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2001

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More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.

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DOG MAN AND CAT KID

From the Dog Man series , Vol. 4

Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).

The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamilton and Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).

More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)

Pub Date: Dec. 26, 2017

ISBN: 978-0-545-93518-0

Page Count: 256

Publisher: Graphix/Scholastic

Review Posted Online: May 14, 2018

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