A laudably inclusive version of a literally ripping yarn.

THE INCREDIBLE SHIP OF CAPTAIN SKIP

Nautical misadventures transform a ship in this moderately embellished version of a paper-folding tale best known as “The Captain’s Shirt.”

Following simple directions given at the beginning, readers can fold a paper boat and voyage along as Capt. Skip enlists a crew and sets sail into a succession of storms and other disasters that rip off the ship’s bow, stern, and upper mast. This leaves a wreck that Skip and her crew must abandon, hopping into lifeboats as the ship sinks with a “glub, glub, glub, glub.” During the adventure, various onlooking birds and animals issue instructions to readers to, for example, “tear off the top part of your paper ship,” so that at the end, when the damaged paper boat is pulled as the inserted diagrams show, it suddenly turns into a shirt. In bright and bouncy illustrations that appear to have been done in a mix of silkscreen and paper collage, Moreno pays close attention to diversity, as each member of the five-person crew is differently clad and colored (including blue). While one sports a beard and two (one with a wooden prosthesis) seem to present as women, the others are gender ambiguous. The brown-skinned skipper, who is likewise ambiguous as to gender presentation, is referred to with the female pronoun in Ross’ translation but is “el capitán Marco” with the same art in the original Spanish edition, which publishes simultaneously in the U.S.

A laudably inclusive version of a literally ripping yarn. (Picture book. 6-8)

Pub Date: May 18, 2021

ISBN: 978-84-18133-16-9

Page Count: 40

Publisher: nubeOCHO

Review Posted Online: May 5, 2021

Kirkus Reviews Issue: May 15, 2021

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A story of friendship that is both lively and lovely

KONDO & KEZUMI VISIT GIANT ISLAND

From the Kondo & Kezumi series , Vol. 1

Two friends embark upon a high-seas adventure.

Kondo, a large lemon-colored creature with wide round eyes, spends his day on his island home with his best friend, tangerine-hued Kezumi. Together, they frolic on their idyllic isle picking berries (tall Kondo nabs the higher fruit while Kezumi helps to retrieve the lower) while surrounded by tiny “flitter-birds” and round “fluffle-bunnies.” One day, Kezumi finds a map in a bottle that declares “WE ARE NOT ALONE.” Inspired by visions of a larger world, Kondo and Kezumi fashion a boat from a bathtub and set sail. The pair visits fantastical islands—deliciously cheese-laden Dairy Isle, the fiery and fearsome Fireskull Island—until they eventually settle upon the titular Giant Island, where they meet Albert, a gigantic gray talking mountain who is—obviously—unable to leave. Enthralled by his new friends, Albert wants them to stay forever. After Albert makes a fraught decision, Kondo and Kezumi find themselves at a crossroads and must confront their new friend. Goodner and Tsurumi’s brightly illustrated chapter book should find favor with fans of Kate DiCamillo and Chris Van Dusen’s similarly designed Mercy Watson series. Short, wry, descriptive sentences make for an equally enjoyable experience whether read aloud or independently. Episodic chapters move the action along jauntily; the conclusion is somewhat abrupt, but it promises more exploration and adventures for the best friends. (This review was originally published in the June 1, 2019, issue. The book data has been updated to reflect changes in publisher and date of publication.)

A story of friendship that is both lively and lovely (Fantasy. 6-8)

Pub Date: Oct. 27, 2020

ISBN: 978-1-368-02577-5

Page Count: 80

Publisher: Little, Brown

Review Posted Online: May 8, 2019

Kirkus Reviews Issue: July 15, 2020

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Series fans won’t be disappointed, but young readers and listeners who know only the original ditty may find this a touch...

THERE WAS AN OLD MERMAID WHO SWALLOWED A SHARK!

Having eaten pretty much everything on land in 13 previous versions of the classic song, Colandro’s capaciously stomached oldster goes to sea.

Once again the original cumulative rhyme’s naturalistic aspects are dispensed with, so that not only doesn’t the old lady die, but neither do any of the creatures she consumes. Instead, the titular shark “left no mark,” a squid follows down the hatch to “float with the shark,” a fish to “dance with the squid,” an eel to “brighten the fish” (with “fluorescent light!” as a subsequent line explains), and so on—until at the end it’s revealed to be all pretending anyway on a visit to an aquarium. Likewise, though Lee outfits the bespectacled binge-eater with a finny tail and the requisite bra for most of the extended episode, she regains human feet and garb at the end. In the illustrations, the old lady and one of the two children who accompany her are pink-skinned; the other has frizzy hair and an amber complexion. A set of nature notes on the featured victims and a nautical seek-and-find that will send viewers back to the earlier pictures modestly enhance this latest iteration.

Series fans won’t be disappointed, but young readers and listeners who know only the original ditty may find this a touch bland. (Early reader. 6-8)

Pub Date: March 27, 2018

ISBN: 978-1-338-12993-9

Page Count: 64

Publisher: Scholastic

Review Posted Online: Nov. 22, 2017

Kirkus Reviews Issue: Dec. 15, 2017

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