More than anything, a little boy wants a doll.
Freckle-faced, buck-toothed Benji (a little White boy who bears a curious resemblance to Howdy Doody) has made birthday wishes, Christmas lists, and even tossed all of his coins from his piggy bank into a fountain, desperately hoping for a toy doll. His best friend, Jenny, has one (the doll has the same dark brown skin tone as Jenny), and Benji loves to care for it. One day, Mom and Dad give him a large present. An aptly placed page turn keeps readers in suspense, wondering what choice the parents have made. It’s a doll! Benji rushes to the park to show it off. Unfortunately, a bully, a brown-skinned boy named Pablo, grabs the doll and squeezes it so hard one of the eyeballs pops out (a dramatic scene). All seems hopeless, but Pablo (who feels remorse and, it turns out, just didn’t have the social skills to enter the group’s play) comes up with a clever reparation. Facial features are exaggerated in this Spanish import—eyes are large, noses upturned, ears stick out—but no one exudes a more toothy joy than Benji when his wish for a doll finally comes true. Some readers may wonder what took Mom and Dad so long since they are clearly not opposed to giving their son a doll. Still, though slight on story, it’s big on heart and makes for a long-overdue replacement for the venerable William’s Doll, by Charlotte Zolotow and illustrated by William Pène Du Bois (1972). The original, Spanish edition, La muñeca de Lucas, publishes simultaneously.
Friendship trumps gender norms. (Picture book. 3-6)Pub Date: Oct. 11, 2021
ISBN: 978-84-18133-40-4
Page Count: 40
Publisher: nubeOCHO
Review Posted Online: June 29, 2021
Kirkus Reviews Issue: July 15, 2021
Categories: CHILDREN'S SOCIAL THEMES
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BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Oliver, of first-day-of-school alligator fame, is back, imagining adventures and still struggling to find balance between introversion and extroversion.
“When Oliver found his egg…” on the playground, mint-green backgrounds signifying Oliver’s flight into fancy slowly grow larger until they take up entire spreads; Oliver’s creature, white and dinosaurlike with orange polka dots, grows larger with them. Their adventures include sharing treats, sailing the seas and going into outer space. A classmate’s yell brings him back to reality, where readers see him sitting on top of a rock. Even considering Schmid’s scribbly style, readers can almost see the wheels turning in his head as he ponders the girl and whether or not to give up his solitary play. “But when Oliver found his rock… // Oliver imagined many adventures // with all his friends!” This last is on a double gatefold that opens to show the children enjoying the creature’s slippery curves. A final wordless spread depicts all the children sitting on rocks, expressions gleeful, wondering, waiting, hopeful. The illustrations, done in pastel pencil and digital color, again make masterful use of white space and page turns, although this tale is not nearly as funny or tongue-in-cheek as Oliver and His Alligator (2013), nor is its message as clear and immediately accessible to children.
Still, this young boy’s imagination is a powerful force for helping him deal with life, something that should be true for all children but sadly isn’t. (Picture book. 3-5)Pub Date: July 1, 2014
ISBN: 978-1-4231-7573-5
Page Count: 40
Publisher: Disney-Hyperion
Review Posted Online: May 19, 2014
Kirkus Reviews Issue: June 1, 2014
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Children point out the things they love about their fathers.
“Daddy is always kind. He gives us support and shelter when things go wrong.” A child with a skinned knee (and downed ice cream cone) gets a bandage and loving pat from Daddy (no shelter is visible, but the child’s concerned sibling sweetly extends their own cone). Daddy’s a storyteller, a magician, supportive, loyal, silly, patient, and he knows everything. A die-cut hole pierces most pages, positioned so that the increasingly smaller holes to come can be seen through it; what it represents in each scene varies, and it does so with also-variable success. The bland, nonrhyming, inconsistent text does little to attract or keep attention, though the die cuts might (until they fall victim to curious fingers). The text also confusingly mixes first-person singular and plural, sometimes on the same page: “Daddy is like a gardener. He lovingly cares for us and watches us grow. I’m his pride and joy!” Even as the text mixes number the illustrations mix metaphors. This particular gardener daddy is pictured shampooing a child during bathtime. Más’ cartoon illustrations are sweet if murkily interpretive, affection clearly conveyed. Troublingly, though, each father and his child(ren) seem to share the same racial presentation and hair color (sometimes even hairstyle!), shutting out many different family constellations. Más does, however, portray several disabilities: children and adults wearing glasses, a child with a cochlear implant, and another using a wheelchair.
Skip this well-meaning but poorly executed celebration. (Picture book. 3-5)Pub Date: March 24, 2020
ISBN: 978-0-593-12305-8
Page Count: 32
Publisher: Rodale Kids
Review Posted Online: March 18, 2020
Kirkus Reviews Issue: April 1, 2020
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