An important contribution to modern French history.

THE COLLABORATOR

THE TRIAL AND EXECUTION OF ROBERT BRASILLACH

The riveting tale of an episode, hardly known to Americans, that continues to affect French life and politics and raises profound moral issues.

One of the most searing moments of modern French history came after the liberation of Paris in 1944. The time to settle scores—between the defeated Vichy government, together with its French collaborators, and members of the Resistance and De Gaulle's liberating army, as well as the survivors and ghosts of French Jewry—had arrived. And that moment was encapsulated in the treason trial, conviction, and execution of the mordant anti-Semitic writer and Nazi sympathizer Robert Brasillach. Kaplan (Romance Studies/Duke Univ.; French Lessons: A Memoir, 1993) focuses her resonant work on the enduring question of the responsibility of writers and intellectuals to their societies. For the French, then and still debating their responsibility for Vichy and the extermination of thousands of French Jews, the question in 1944 was whether one can commit "political treason in writing, rather than in action.'' Kaplan's study, the first based upon all available sources, successfully resolves distortions in the earlier historical record and makes clear beyond all doubt Brasillach's role in inducing others to send innocents to their graves. Equally important, she exhumes the lives and roles of Brasillach's prosecutor and defense attorney, as well as the members of the jury that convicted him. With exemplary balance, she gives all their due (although, inexcusably, there are no photos, not even of the main characters). In the end, she judges Brasillach's execution an error because his martyrdom still fuels the French far right. But surely Albert Camus, no friend of collaborators, had the stronger and more noble case: that Brasillach's death was immoral because all capital punishment is immoral.

An important contribution to modern French history.

Pub Date: April 1, 2000

ISBN: 0-226-42414-6

Page Count: 296

Publisher: Univ. of Chicago

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 15, 2000

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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