A searching picture of a pioneering social crusader.

THE TRAVELING CAMERA

LEWIS HINE AND THE FIGHT TO END CHILD LABOR

A tribute to the self-taught photographer who sparked real reform by turning faceless masses of abused workers into children with names and histories.

Incorporating Hine’s voice and some of his actual words (signaled with italics) into her free-verse monologue, Hinrichs highlights both his purposes—“I want to show their hard work / their hard lives” and also “their spirit. Because / the human spirit / is the big thing / after all”—and his methods of getting past suspicious factory overseers and of connecting with child workers in settings from cranberry bogs and canneries to coal mines. Garland’s harmoniously toned painted images of a slender, deceptively inoffensive-looking White figure using an awkward box camera to take pictures of solemn children, most but not all White, with downcast eyes and patchy period clothes meld gradually toward the end into Hine’s actual work (he called them “Hineographs”). More than 30 in all, they appear in a gallery that goes to the rear endpapers and are accompanied by a prose recap that downplays but at least mentions his quaint views on gender roles plus the fact that he took relatively few pictures of Black children and almost none of Asians. Russell Freedman’s Kids At Work (1994) explores his life and legacy in greater detail, but there’s enough here to leave even younger readers moved by his mission and his timeless portraits.

A searching picture of a pioneering social crusader. (chronology, source list, endnotes) (Picture book/biography. 8-10)

Pub Date: Sept. 14, 2021

ISBN: 978-1-947440-06-7

Page Count: 32

Publisher: Getty Publications

Review Posted Online: June 16, 2021

Kirkus Reviews Issue: July 1, 2021

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Inspirational but occasionally unclear.

JUST LIKE ME

Gooding's debut profiles 40 famous people with disabilities.

The author, a mother of children with disabilities, opens the book with a note about her desire to find role models for her children. To that end, she alphabetically introduces racially diverse disabled people from around the world and throughout history. Diagnoses range from autism to limb difference. Historical figures include Japanese peace advocate Sadako Sasaki, who developed leukemia after the bombing of Hiroshima, and American abolitionist Harriet Tubman, who led fellow slaves to freedom despite epilepsy. Contemporary figures include athletes, authors, and entertainers: Polio survivor and Paralympian Malathi Krishnamurthy-Holla remains "one of the fastest female Indian athletes in a wheelchair"; Japanese nonverbal author Naoki Higashida penned popular books describing autism; English actor Daniel Radcliffe deals with dyspraxia, a coordination disorder; and Australian Madeline Stuart is the first professional model with Down syndrome. Each profile begins with an uplifting quote and concludes with a sidebar explaining the subject’s disability. Unfortunately, some sidebars emphasize colloquial over scientific terms. For instance, Stephen Hawking’s disability is named eponymously (Lou Gehrig's disease), “also known as ALS,” instead of with its scientific name, amyotrophic lateral sclerosis. Occasionally, vague phrasing creates confusion, such as when the author writes that a speech-generating device enabled Hawking to communicate by using a “touchpad.” (A hand clicker became his primary input method.) Various illustrators’ realistic renditions of smiling subjects complement the upbeat (albeit somewhat dry) text.

Inspirational but occasionally unclear. (glossary, quote sources) (Collective biography. 8-10)

Pub Date: Nov. 1, 2021

ISBN: 978-1-78741-848-6

Page Count: 96

Publisher: Bonnier/Trafalgar

Review Posted Online: Oct. 13, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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At its best when the emphasis is on the skill and artistry of Mime’s most accomplished practitioner—alas, too much of the...

MARCEL MARCEAU

MASTER OF MIME

The legendary mime is introduced to a new generation, though not entirely successfully.

As a child, Marceau loved to silently entertain his friends, like his idol, Charlie Chaplin. During the Nazi occupation of France, Marcel and his brother took on new identities in the French Underground, where they forged documents for Jewish children and helped many to escape to Switzerland. Spielman assumes that her young audience will understand references to deportation and concentration camps; unfortunately for those that don't, her matter-of-fact tone speaks more of adventure than deadly peril. Her tone subtly changes when she lovingly describes Marceau’s training and development as a mime and his stage persona of Bip the clown, admiring his skills in the “art of silence” that won him international renown. But here too, comparisons to the Little Tramp and Pierrot may be outside readers’ frame of reference. Though the illustrations carefully complement the textual content with period details, Gauthier’s cartoon faces are all nearly identical, with only the screen image of Chaplin and Marceau’s Bip having distinctive features. A double-page spread at the conclusion provides photographs of Bip in action and is the only clear indication of Marceau’s stagecraft.

At its best when the emphasis is on the skill and artistry of Mime’s most accomplished practitioner—alas, too much of the book looks elsewhere. (Picture book/biography. 8-10)

Pub Date: Sept. 1, 2011

ISBN: 978-0-7613-3961-8

Page Count: 32

Publisher: Kar-Ben

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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