THE FIRST MAN

A voice we thought we'd never hear again speaks out with plangency and clarity in this unfinished novel, found in the wreckage of the car in which its Nobel Prize—winning author perished in 1960. As we learn in an Editor's Note contributed by Catherine Camus, her father's first-draft manuscript was withheld from publication following his death for fear that its inchoate state would be savaged by Camus's literary enemies and rivals, notably Jean-Paul Sartre. Perhaps; but it's hard to believe any reader could have been blind to the work's distinctive merits: vivid impressionistic descriptions of its autobiographical protagonist's childhood and youth in Algeria; a deeply empathetic portrayal of young Jacques Cormery's "ravenous appetite for life...[and] untamed and hungry intellect"; and incisive characterizations of such beloved family members as Jacques's steely paternal grandmother, volatile Uncle Ernest, and beautiful, illiterate, sorrowful mother, grieving all her life—as will Jacques himself—for her young husband, who died at the Marne in WW I. In the most moving sequence, Camus describes Jacques's surprised empowerment by a dedicated teacher, M. Bernard, who fought in that war and acknowledges his special responsibility to students who lost their fathers to it ("I try at least here to take the place of my dead comrades"). Of course, the whole is frustratingly fragmented, unpolished; long unbroken paragraphs dominate, inconsistencies in detail crop up often, and Camus's notes and preliminary sketches are lumped both into footnotes and an extended Appendix. Still, the very incompleteness of the work validates its power: In one heart-stopping sentence, Jacques's mother is identified as "Widow Camus." All honor to Catherine Camus for offering us this invaluable glimpse into the life and art of a writer who may have been greater than we knew then or can know even now.

Pub Date: Sept. 1, 1995

ISBN: 978-0-679-43937-0

Page Count: 336

Publisher: Knopf

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1995

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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Nothing original, but in Hilderbrand’s hands it’s easy to get lost in the story.

BAREFOOT

Privileged 30-somethings hide from their woes in Nantucket.

Hilderbrand’s saga follows the lives of Melanie, Brenda and Vicki. Vicki, alpha mom and perfect wife, is battling late-stage lung cancer and, in an uncharacteristically flaky moment, opts for chemotherapy at the beach. Vicki shares ownership of a tiny Nantucket cottage with her younger sister Brenda. Brenda, a literature professor, tags along for the summer, partly out of familial duty, partly because she’s fleeing the fallout from her illicit affair with a student. As for Melanie, she gets a last minute invite from Vicki, after Melanie confides that Melanie’s husband is having an affair. Between Melanie and Brenda, Vicki feels her two young boys should have adequate supervision, but a disastrous first day on the island forces the trio to source some outside help. Enter Josh, the adorable and affable local who is hired to tend to the boys. On break from college, Josh learns about the pitfalls of mature love as he falls for the beauties in the snug abode. Josh likes beer, analysis-free relationships and hot older women. In a word, he’s believable. In addition to a healthy dose of testosterone, the novel is balanced by powerful descriptions of Vicki’s bond with her two boys. Emotions run high as she prepares for death.

Nothing original, but in Hilderbrand’s hands it’s easy to get lost in the story.

Pub Date: July 2, 2007

ISBN: 978-0-316-01858-6

Page Count: 352

Publisher: Little, Brown

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: May 15, 2007

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