Much eloquent—often lyrical—evidence that the author deserved his Nobel Prize.

PERSONAL WRITINGS

A collection of brief, piercing personal pieces by the 1957 Nobel laureate.

In a selection of essays from the 1930s to the 1950s, Camus (1913-1960) reveals himself to readers, discussing his affections, regrets, memories, problems, complaints, and ideas about art and writing. He writes frequently about his youth in Algeria (where he was born), and in a particularly poignant piece near the end, he revisits Tipasa (Tipaza), Roman ruins not far from where he grew up. He notes that “returning to places of youth” can be “a great folly,” but he clearly demonstrates otherwise in this essay. The author also writes incisively about war (both world wars), the meanings of cemeteries, the sea and sun and rain and the desert, and youth and age: “No longer to be listened to: that’s the terrible thing about being old…condemned to silence and loneliness.” Throughout are numerous classical allusions (to historical figures and events, to mythology); there’s a particularly fine piece about Prometheus and his sacrifices for humanity. “If Prometheus were to reappear,” he writes, “modern man would treat him as the gods did long ago: they would nail him to a rock, in the name of the very humanism he was the first to symbolize.” Camus sometimes chides the human race, but he sees hope in us, as well. Although he writes quite a bit about Algeria, he also describes some experiences elsewhere in the world (Paris, New York), and he sets the final essay aboard a trans-Atlantic ship. He discourses about the weather, the sailors, and the enormity of it all: “We sail across spaces so vast they seem unending.” What will strike many readers is the author’s extraordinarily evocative language, his astonishing facility to create memorable phrases and take readers to places most have never been but who, because of his artistry, feel immediately at home.

Much eloquent—often lyrical—evidence that the author deserved his Nobel Prize.

Pub Date: Aug. 4, 2020

ISBN: 978-0-525-56721-9

Page Count: 224

Publisher: Vintage

Review Posted Online: June 13, 2020

Kirkus Reviews Issue: July 1, 2020

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A virtuoso performance and an ode to an undervalued medium created by two talented artists.

A WEALTH OF PIGEONS

A CARTOON COLLECTION

The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 31, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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