Much eloquent—often lyrical—evidence that the author deserved his Nobel Prize.

PERSONAL WRITINGS

A collection of brief, piercing personal pieces by the 1957 Nobel laureate.

In a selection of essays from the 1930s to the 1950s, Camus (1913-1960) reveals himself to readers, discussing his affections, regrets, memories, problems, complaints, and ideas about art and writing. He writes frequently about his youth in Algeria (where he was born), and in a particularly poignant piece near the end, he revisits Tipasa (Tipaza), Roman ruins not far from where he grew up. He notes that “returning to places of youth” can be “a great folly,” but he clearly demonstrates otherwise in this essay. The author also writes incisively about war (both world wars), the meanings of cemeteries, the sea and sun and rain and the desert, and youth and age: “No longer to be listened to: that’s the terrible thing about being old…condemned to silence and loneliness.” Throughout are numerous classical allusions (to historical figures and events, to mythology); there’s a particularly fine piece about Prometheus and his sacrifices for humanity. “If Prometheus were to reappear,” he writes, “modern man would treat him as the gods did long ago: they would nail him to a rock, in the name of the very humanism he was the first to symbolize.” Camus sometimes chides the human race, but he sees hope in us, as well. Although he writes quite a bit about Algeria, he also describes some experiences elsewhere in the world (Paris, New York), and he sets the final essay aboard a trans-Atlantic ship. He discourses about the weather, the sailors, and the enormity of it all: “We sail across spaces so vast they seem unending.” What will strike many readers is the author’s extraordinarily evocative language, his astonishing facility to create memorable phrases and take readers to places most have never been but who, because of his artistry, feel immediately at home.

Much eloquent—often lyrical—evidence that the author deserved his Nobel Prize.

Pub Date: Aug. 4, 2020

ISBN: 978-0-525-56721-9

Page Count: 224

Publisher: Vintage

Review Posted Online: June 13, 2020

Kirkus Reviews Issue: July 1, 2020

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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The lessons to draw are obvious: Smoke more dope, eat less meat. Like-minded readers will dig it.

F*CK IT, I'LL START TOMORROW

The chef, rapper, and TV host serves up a blustery memoir with lashings of self-help.

“I’ve always had a sick confidence,” writes Bronson, ne Ariyan Arslani. The confidence, he adds, comes from numerous sources: being a New Yorker, and more specifically a New Yorker from Queens; being “short and fucking husky” and still game for a standoff on the basketball court; having strength, stamina, and seemingly no fear. All these things serve him well in the rough-and-tumble youth he describes, all stickball and steroids. Yet another confidence-builder: In the big city, you’ve got to sink or swim. “No one is just accepted—you have to fucking show that you’re able to roll,” he writes. In a narrative steeped in language that would make Lenny Bruce blush, Bronson recounts his sentimental education, schooled by immigrant Italian and Albanian family members and the mean streets, building habits good and bad. The virtue of those habits will depend on your take on modern mores. Bronson writes, for example, of “getting my dick pierced” down in the West Village, then grabbing a pizza and smoking weed. “I always smoke weed freely, always have and always will,” he writes. “I’ll just light a blunt anywhere.” Though he’s gone through the classic experiences of the latter-day stoner, flunking out and getting arrested numerous times, Bronson is a hard charger who’s not afraid to face nearly any challenge—especially, given his physique and genes, the necessity of losing weight: “If you’re husky, you’re always dieting in your mind,” he writes. Though vulgar and boastful, Bronson serves up a model that has plenty of good points, including his growing interest in nature, creativity, and the desire to “leave a legacy for everybody.”

The lessons to draw are obvious: Smoke more dope, eat less meat. Like-minded readers will dig it.

Pub Date: April 20, 2021

ISBN: 978-1-4197-4478-5

Page Count: 184

Publisher: Abrams

Review Posted Online: May 5, 2021

Kirkus Reviews Issue: June 1, 2021

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